Handling Wine With White Gloves

The mythical beast, the unicorn of the auction world, is the White Glove sale – when 100% of the lots in an auction are sold.

In February of this year we came close with 99.8% sold. However, we just surpassed that mark by achieving a completely sold-out auction in May. Meaning, 100% of all lots offered in our Fine Wine auction found buyers! Thank you to everyone who contributed to this success; sellers, buyers and supporters.

We were particularly pleased with the performance of the wines of the legendary Château Pétrus. With a wide variety of vintages on offer, many for long term cellaring, all of them had robust interest during the auction. Once again though, classed growth Bordeaux led the way with many lots recording as many as 20 bids.

For those of you interested in statistics, and we know many of you are, here are a few.

Auction Fun Facts

Total Lots Sold 448
Total Lots Unsold 0
Sold Percentage 100%
Average realised price above reserve 117.7%
Average realised price above low estimate 67.5%
Total Lots Sold Over Low Estimate 376
Total Lots Sold Over High Estimate 209
Total Bidders 217
Total Bids 4,152


Additional Highlights

Lot 116: CHÂTEAU PÉTRUS 2010 (1)


Lot 313: CHÂTEAU LE PIN 2000 (1)








Lot 263: OPUS ONE 1993 (2 hf. bt.)
OPUS ONE 2006 (2 hf. bt.)
OPUS ONE 2010 (1)
OPUS ONE 2011 (1)





Consignment Opportunities for Our Fall Auctions

As much as we would like to bask in the glow of our past sale, we remain focused on gathering more great wines for our fall series of auction slated for September and November.

To consign in our upcoming fine wine or spirits auctions please visit our consignment page, or contact us by phone 416-504-9100 ext 1002 or by email The consignment deadline for our September auctions is July 20.

In the coming weeks we will be announcing some exciting news regarding a world class collection of Rare Scotch we look forward to offering this fall as well.

Until then, cheers!


Posted: 5/19/2018 12:00:00 AM
By: Stephen Ranger

Canadian Art Spring Season 2018

Lot 31
Sorel Etrog
War Remembrance

Linda Rodeck Introduces our Spring 2018 Canadian Art Season.

For centuries, trading merchandise from far and wide has proven lucrative to industrious merchants, particularly those who specialized in luxurious or rare goods. But throughout history such trade has also generated significant intellectual, spiritual and philosophical dividends.
I can't help thinking about the great Spice Routes and Silk Roads when I think of auction season. Each spring and fall, an auction house will assemble thousands of precious items, brought from all over the world and from all time periods. It wasn't so long ago, for example, that Waddington's sold a woolly mammoth tusk! These items exhibit a rare beauty which is often the primary reason they are desired but there are also magnificent stories that attach themselves to objects.  
Waddington's Spring 2018 Canadian art sale, which is comprised of 160 lots, represents 160 amazing creation stories, biographies or histories about each lot's maker, their subject, their execution, their owners both prior and current, and their significance in the past, present and future. Each sale is a fascinating installment in the story of Canadian art-making and collecting.
Join us on a journey of discovery this season by reading some of the stories you will find in our Canadian Art auction catalogue or stop by our previews to hear some of the wonderful anecdotes our specialists can provide in person. 

To view the Auction Gallery and PDF Catalogue: click here

Auction: Monday, May 28 at 7:00 p.m.

On View:

Friday, May 25 from 12:00 pm to 5:00 pm

Saturday, May 26 from 11:00 am to 5:00 pm

Sunday, May 27 from 11:00 am to 5:00 pm

Monday, May 28 from 10:00 am to 12:00 pm

Or by appointment.

Preview and auction take place at Waddington's.

To find out more:

Posted: 5/1/2018 12:00:00 AM
By: Linda Rodeck

February's Fine Wines & Spirits

Earlier this month our very own Joann Maplesden was invited to talk about investing in wine to a group of women interested in alternative assets. Having worked in the Fine Wine and service industry for over 25 years, Joann is immeasurably qualified to speak knowledgably about what to buy, how to store, when to drink, and when to sell. She also has a deep understanding of the food and wine culture, which is at the core of what many collectors are interested in.

The advice she gave is what an expert in any field would give to a novice investor:

  • Read and taste widely.
  • Buy the best you can afford; it will always reward you.
  • Immerse yourself in the world of wine, there is so much to learn and it’s also a lot of fun.
  • Don’t expect to know everything overnight. While it might be easy to chase just the big names - the first-growth Bordeaux and Grand Cru Burgundy, there is also great value and pleasure to be found just a little off the beaten path, in the wines of the Rhône Valley or Piedmonte, in Spain, Sonoma or Margaret River.
  • Remember to differentiate between investing for pleasure and investing for profit.
  • And remember - the rewards of sharing a well-cellared wine are ample!

This month’s Fine Wine and Spirits auctions offer wines for the novice collector, seasoned collector and the sommelier. Led by a lovely selection of well-cellared wine from the acclaimed Rundles restaurant of Stratford, Ontario, the auction goes deep into world-class Burgundy and California Cabernet Sauvignon. There are numerous mixed lots for current drinking pleasure, investment grade lots for the collector and wines ready for the spring and fall festivals. There is a plethora of Château Pétrus from numerous vintages, an awesome selection of wines from Rousseau and Leroy and a very special flight of Screaming Eagle Cabernet Sauvignon.

Please make use of our Wine Search tool at to make finding wines of interest that much easier.

We hope you enjoy this auction as much as we enjoyed assembling it for you.

Please also note our consignment deadline for the May auction is fast approaching. Wines for consideration should be sent to us by March 16, 2018.

Cheers, Stephen Joann Devin

Posted: 2/15/2018 12:00:00 AM
By: Stephen Ranger

"Fantastic Martin Brothers Birds Soar"

Published in Antiques and the Arts Weekly

by Madelia Hickman Ring

TORONTO, CANADA – On December 6, Waddington’s offered an extraordinary private collection of nearly 100 pieces of sculptural stoneware objects and pots by Martin Brothers Studio potters, including, most notably, a small flock of Robert Wallace Martin’s “Wally Birds.”

The sale realized $502,309 CDN and all 92 lots offered were sold, achieving the rare distinction of “white-glove” status. With very few collections of this size available on the market, Waddington’s was not certain what the outcome would be, and the sale exceeded the expectations of Bill Kime, Waddington’s senior specialist in ceramics, glass and silver and one of its senior auctioneers.

The success of the sale underscores not only the strength of market for this specific collecting category but also Waddington’s sale strategy of selling with conservative estimates and without reserves. Kime said there had been extraordinary interest in the sale from private collectors, dealers and institutions but that more than half of the pieces were purchased by private collectors.

While there was international interest, most buyers were from the United Kingdom, United States and Canada. Kime said he was surprised at the amount of interest from Canadian buyers and was pleased that several pieces, including a few of the “Wally Birds,” were purchased by Canadian buyers.

The sale got off to a promising start with the first lot, a face jug selling for $9,000, six times its low estimate. The top-selling lot was a stoneware bird tobacco jar, by Robert Wallace Martin, dated 1907, approximately 8 inches tall. Estimated at $15/20,000, it more than tripled its low estimate when it sold for $48,000. Kime thinks it could have set a record price for a late Martinware bird due to its distinctive and unusual glazed decoration. According to Kime, Martin would go to London’s Old Bailey courthouse and sketch the birds there, giving them exaggerated features, and they would become the “Wally Birds” so alluring to collectors today. Many later birds were made as forms with movable heads; this ability to further animate the birds adds to their appeal. Regardless of size, “Wally Birds” did well: two 4-inch small birds each doubled their low estimates, while a 2-inch miniature bird brought three times its low estimate.

Working in late Victorian-era London, the Martin Brothers are considered to have been pioneers in transforming decorative arts from the formalism of the Victorian era to a more whimsical and naturalistic style that foreshadowed studio pottery of the Art Nouveau movement. Kime attributes the appeal of Martinware to their whimsical and eccentric aesthetic that, while they led the way for other Studio potters, was purely their own.

Eclectic to the core, the Martin Brothers’ work bears the influence of art and architecture from the Middle Ages and Gothic periods, but much of their unique pottery exists in a category of its own. While holding on to the eclectic characteristics of Victorian times, many of their sculptures took on exaggerated forms and personalities. Among recognizable Martinware forms are their sculpted face jugs, Gothic stoneware vases and spoon warmers resembling monsters, mythical creatures, classical figures and the use of sea life motifs and other fantasy-inspired figures. A fantastical beast-form spoon warmer jug more than tripled its low estimate when it sold for $19,200 and other forms outperformed their estimates as well.

Kime said that the collection was relatively unknown, belonging to a couple in the Vancouver Islands who began by collecting Moorcroft pottery. The couple were advised by scholar and dealer Richard Dennis and traveled to London in 1978. Staying in an apartment over his studio, the wife of the couple discovered the collection of Martinware he was assembling. The couple would continue to seek guidance from Dennis, as well as Vancouver gallery owners Neil MacMillan and Dan Perrin, who are recognized as “market makers” for Martinware. According to Kime, the collection had no obvious gaps and was extremely balanced, including works by not just the four Martin brothers but also the various workmen who were known to have worked in their studio. He concluded his comments by saying the sale was “the most fun he’d ever had in 40 years.”

All prices reported buyer’s premium.

Published: December 19, 2017

Posted: 1/30/2018 12:00:00 AM
By: Tess McLean

Staff Favourites in Our Decorative Arts Auction


Ellie Muir, our Appraisals and Consignments Manager, talks about two of her favourite lots in our Decorative Arts auction. Both sculptures were gifted to the Art Gallery of Ontario and are being deaccessioned to benefit future art purchases at the AGO. Meet "Psyche and the Butterfly" and "Dance of The Three Graces".


This version of Psyche shows her in a jubilant state, celebrating her new immortality and reunion with her husband, Cupid. She has accomplished momentous tasks assigned to her by Venus in order to achieve her union of love, and seems to be joyfully sending a butterfly, which symbolizes innocence as well as transformation, into flight. Everything about her is ascending up into the air, her hair, her arms, even the vines of roses encircling her body reach upward. Psyche now has her own butterfly wings as she has joined Cupid as an immortal.

Cesare Lapini made many sculptures of Psyche at various points in her journey - this one in particular shows her in her final state; self-assured and confident in her new place amongst the Gods.

Lot 241 - CESARE LAPINI (ITALIAN, 1848-AFTER 1902) PSYCHE AND THE BUTTERFLY Carrara marble, inscribed Gall.Lapini, Firenze, 1895, height 57.25 in — 145.4 cm Provenance: Gifted to the Art Gallery of Ontario by Mrs. J. Morrow Deaccessioned to benefit art purchases at the AGO.

Estimate: $20,000—30,000 


Jean-Baptiste Carpeaux is best known for his sensational marble sculpture “Dance” which adorns the façade of the Paris Opéra (a replacement is now there displayed as the original was moved to the Louvre in 1964 to preserve it from the elements).

When it was unveiled in 1868 it caused a sensation as it went against the popular Neo-Classical aesthetic of the time and instead favoured a raucous Baroque style where the figures seemed to move with joyous sensuality and abandon. Some unhappy onlookers were compelled to deface it by throwing bottles of ink. As is often the case, any publicity is good publicity, especially when it comes to art, and Carpeaux went on to produce many other iterations of “Dance”.

This lot shows three of those figures in a smaller configuration, but they are no less pleasurable to view. The swirling motion of the women with their fingers just barely touching give the sense that the centrifugal force of their dance could send them flinging outward at any moment as they emit peals laughter. Carpeaux produced plaster, terra cotta and bronze versions at his atelier right up until his death in 1875.

Lot 239 - JEAN-BAPTISTE CARPEAUX (FRENCH, 1827-1875) DANCE OF THE THREE GRACES, 1874 terracotta, incised signature and date, and with impressed ‘Atelier-Dépôt, Paris’, and ‘Propriété Carpeaux’ seals, height 31.5 in — 80 cm Provenance: Gifted to the Art Gallery of Ontario by the Junior Women’s Fund, 1958, inventory no. 57/27 Deaccessioned to benefit art purchases at the AGO.

Estimate: $8,000—12,000


To view the online catalogue: Decorative Arts

Posted: 12/5/2017 12:00:00 AM
By: Ellie Muir

The Martin Brothers – A Private Collection

Martin Brothers Stoneware Bird Tobacco Jar, R.W. Martin & Bros., 1914 Est. $15,000 - 20,000

Comprised of nearly 100 pieces, this auction includes an intriguing mixture of sculptural objects and pots, most notably a small flock of Robert Wallace Martin’s ‘Wally birds’.

Working in late Victorian-era London, the Martin Brothers are considered to have been pioneers in transforming decorative arts from the stale formalism of the Victorian era to a more whimsical and naturalistic style that foreshadowed the Art Nouveau movement.

While holding appeal to the eclecticism characteristic of Victorian times, many of their sculptures took on disturbing and bewildering forms and personalities. The most celebrated examples can be found among Robert Wallace Martin’s grotesque bird sculptures, which may function as tobacco jars or vases, but are highly stylised to resemble the sometimes deviant human subjects after whom they were modelled. 

Eclectic to the core, the Martin Brothers' work bears the influence of art and architecture from the Middle Ages and Gothic periods, but much of their unique pottery exists in a category of its own. Among recognizable Martinwares, their sculpted ‘face jugs’, gothic stoneware vases and spoon warmers resembling monsters, portrayals of mythical creatures and classical figures, and the use of sea life motifs and other fantasy-imbued images are all very well represented in this collection. View the catalogue.

Please be sure to meet all the characters in this extraordinary collection at our preview opening at 12:00 noon on Friday, December 1, at Waddington's in Toronto.

Bill Kime Senior Specialist


Posted: 11/29/2017 12:00:00 AM
By: Bill Kime

Concrete Contemporary Art Auction

Lot 50 - KIM DORLAND Bush Party #6

The Fall 2017 Concrete Contemporary Art auction is perhaps the most diverse offering we have yet to put forward. Iconic abstractions by David Bolduc and Michael Adamson are offered side-by-side with a figurative Kim Dorland painting, while illustrative works by Marcel Dzama and Gary Taxali compliment the photo-based works of Barbara Astman and the Sanchez Brothers.

Two haunting landscapes by Wanda Koop are contrasted by a print featuring Alex McLeod’s futuristic, made-up world and mythical paintings by Stephen Appleby-Barr. Canada’s regions are all well represented; the range of works highlighting the diverse and abundant creativity of this country.

Once again we have partnered with for this live auction, inviting bidders from all over the world as we work to expand our market for Canadian contemporary art.

We look forward to seeing you in the gallery this season and thank you for your support of Canadian Contemporary Art.

Stephen Ranger, Senior Specialist


Monday, November 27 at 7:00 p.m.



Posted: 11/27/2017 12:00:00 AM
By: Stephen Ranger

Having our colours done - for the fall season

I may be the only person old enough in the Canadian and Inuit Art departments to remember the craze of “having your colours done”. Trained colour consultants would be engaged to find colours for their clients to wear that best complemented their complexion, eyes, and hair colour, thereby enhancing one’s attractiveness and boosting one’s confidence. People were categorized as Seasons. Cool colour palettes were “Winters”, warm muted colours were “Falls”. You get the idea.

We know colour can have a powerful effect on us. Whether dramatic, sophisticated, soothing or subtle, colour impacts our mood and carries varied - even contradictory- cultural meaning. Our reaction to colour serves both a biological purpose, and an aesthetic ambition. 

Each season, one of our favourite projects leading up to the auction preview, which begins tomorrow (dates and times below), is determining the set up of our preview gallery in order to best enhance the works of art being offered that season. This involves decisions about layout, placement of lots, lighting and choice of wall colour. While I suspect I can be somewhat dictatorial about some of these decisions, the fact is they are largely predetermined by the sale itself. Once we reach our consignment deadline and begin laying out our catalogue, it becomes very apparent that we have a “blue” sale or a “coral” sale or a “violet” sale. Inevitably, one colour or two seems to dominate, and the rest falls into place accordingly.

This year, several key paintings inspired our choice of wall colour and we have developed spaces that contain families of paintings and sculpture which play off one another. They have been set in environments that have been prepared to enhance your ability to read them and enjoy them.

While Russell Foster, a neuroscientist at Oxford, maintains “The whole point of colour vision is not to inspire poets, but to allow contrast detection,” (Tom Chivers, February 2015, The Telegraph), I can’t help but take a slightly less scientific position. And while I can’t argue with an Oxford intellect, I hope the layout and design of our saleroom both pleases and inspires you. Please join us this season for a dose of chromotherapy.

(Oh, and in case you were wondering, I’m a “Summer”).

Linda G. Rodeck, Senior Specialist





Canadian Fine Art Auction
Monday, November 20 at 7:00 pm

On View:

Thursday, November 16 from 12:00 pm to 7:00 pm
Friday, November 17 from 12:00 pm to 7:00 pm
Saturday, November 18 from 11:00 am to 5:00 pm
Sunday, November 19 from 11:00 am to 5:00 pm
Monday November 20 from 10:00 am to 12:00 pm

View the Auction Gallery

Posted: 11/15/2017 12:00:00 AM
By: Linda Rodeck

Pre-loved Rings in Our Dec 5th Fine Jewellery Auction

Thinking of buying a vintage engagement ring? We have several lovely examples in our Fall 2017 Fine Jewellery Auction.

You may be surprised to know there are many excellent reasons you should consider purchasing a pre-loved token of affection, in addition to their beauty. Christa Lambert explains the top four reasons and provides some advice on what to look out for when you buy antique:

  1. Hand crafted and one-of-a-kind – If your significant other loves unique pieces, you can be sure the vintage ring you propose with will never be seen on another hand. Each antique piece was handcrafted by skilled jewellers prior to the introduction of modern equipment used today to create jewellery, such as CAD and growing machines. Antique pieces were hand crafted; added details such as engraving and milgrain all required much more time, patience, and skill. The precision details of the past just cannot be duplicated to the same degree by today’s modern methods.
  2. Exceptional value, get more for your budget – Why pay retail prices, when you can purchase a piece of equal value for a fraction of the price? Retail prices are based on market value of the metal and gemstones, plus an average of 200-300% mark up (sometimes even more). Auction estimates are primarily based on the market value of materials. And bear in mind that many antique dealers actually buy their stock at auction, adding their markup when it enters their display case. Chances are you'll find a deal by participating in an auction, and perhaps even be able to buy a larger diamond than you thought your budget could afford.
  3. A historical piece makes an excellent heirloom – Each antique ring tells a story. It’s fascinating to learn about the older cut of diamonds, materials used, and the different styles that date a piece. Perhaps there is a hallmark that will provide information on a country of origin or a maker mark that gives the piece historical significance. Speaking with a Waddington’s specialist you can learn all about your ring of choice and share its romantic story with your intended.
  4. It’s a more environmentally safe and ethical choice – In today’s world we’re increasingly conscious of the footprint we leave on this earth and make choices acordingly. That includes being aware of the environmental impact of mining metals and gemstones. When purchasing a vintage piece, you’re not contributing to further damaging impact on our environment. For more information visit, a website making ripples and influencing retailers to take a stand against destructive mining.
"There is no such thing as clean gold, unless it’s recycled or vintage,” Alan Septoff, communications manager for the No Dirty Gold campaign.

What to be on the lookout for when buying an antique ring:

    1. Loose stones – A simple shake close to the ear is usually enough to tell if there are loose stones in a mount that would require tightening by a skilled jeweller.
    2. Wear on claws – Over time the claws that secure stones can wear down, leaving the gemstones susceptible to coming loose from the mount.
    3. Are the details intact? After years of wear, details can be softened. In the case where rings have been worn next to each other, some details may be worn off completely.
    4. Thickness of the shank – After years of wear, a shank may have been worn quite thin. Antique rings sometime require a shank replacement.
    5. Have there been alterations or repairs to the piece? Using a jeweller’s loop, study the piece to see if there have been changes. You may notice globs of solder that have not been removed properly. Parts may have been added or removed from a piece. Poor quality repair or alterations can detract from a piece’s beauty and value.
    6. Have old-cut diamonds been replaced with modern-cut stones?  Using a jeweller’s loop, examine the diamonds. Do the cuts match? Often, older stones have been lost and replaced with modern cuts.
    7. Is the ring the right size / can the size be adjusted? Not all rings can be sized without damaging the structural integrity of the ring, or details such as enamel inlay. Ask a Waddington’s specialist if it is possible to size the ring you're interested in.

The good news is that many of the above problems can be corrected by a skilled jeweller. Make sure you speak to one of Waddington’s jewellery specialists to find out if pieces can be restored and what are the costs associated with repairs that may be required.











Posted: 11/13/2017 12:00:00 AM
By: Christa Lambert

November's Rich Offerings


While we’ve never had lunch together, exchanged greeting cards or, in truth, even met, my “good friend” Heather Reisman rarely lets me down.

When I am wandering around Indigo not quite finding the right read for the weekend, time and again I have relied on one of “Heather’s Picks”. Last week, it was Sapiens: A brief history of humankind by Yuval Noah Harari. It wasn’t long before I found myself identifying with our earliest ancestors.

Harari writes that for nearly our entire history Sapiens have lived as foragers and that even today “our brains and minds are adapted to a life of hunting and gathering.” I can tell you that there is a lot of hunting and gathering that goes in to putting together an auction and like the early Sapiens I, too, “roam from place to place in search of food”, with which to stock the auction catalogue larder; I, too, am “influenced by the changing seasons” and “explore new lands opportunistically” looking for areas that are rich in what will sustain us.

The life of a forager was varied, interesting, and rewarding we are told, and I can attest that the life of a modern art forager (that’s forager not forger) can also be very rewarding. “The forager's secret of success” says Harari “was their varied diet”.

Likewise, in this season’s sale you will find a “varied diet” of works of art that span hundreds of years of Canadian painting, that come from or were painted by artists from all over our enormous nation (my primary hunting ground) and which reflect, stylistically and attitudinally, myriad positions, schools and periods of Canadian Art making.

We hope you will take the time to work your way through the rich offerings of this season, stopping here and there to sample some of the fine works we have harvested for your enjoyment.

Click here for auction details


Posted: 11/7/2017 12:00:00 AM
By: Linda Rodeck

Hey Our Vancouver Friends!

Emily Carr, Forest Clearing. Realised: $472,000

Considering selling a work of art? Need advice on estate planning or downsizing as it relates to understanding the value of an item or collection? We can help you find out what it's all really worth and what your options are.

Stephen Ranger, Vice President Waddington's, is joining me this week in Vancouver to talk about selling, buying or appraising art - and much more.

We've been invited to talk with a few groups already, but we're reserving the evening of Thursday, October 19 specifically for individual appointments. And as experts in the broadest range of art and objets d'art, this is a great opportunity for you to find out about more about your Asian, Canadian, International or Inuit Art; Decorative Arts; Fine Jewellery or Fine Wine.

Date & Time: Thursday, October 19, 6:00 - 9:00 pm Location: Sutton Place Hotel, 845 Burrard Street, Vancouver

To make an appointment to discuss selling, buying or appraising your valued possessions with Stephen, please contact me: Jacqui Dixon, Director of Client Services, Western Canada or 1.778.837.4588.

Just a reminder that I'm Vancouver-based and available at any time to provide guidance - so don't hesitate to get in touch with me.

And for the rest of the world... our appraisal specialists are always happy to provide their expertise, no matter where you are. Find out more from our Appraisals Manager Ellie Muir at or call 416.504.9100 / toll-free 1.877.504.5700.



Posted: 10/13/2017 12:00:00 AM
By: Jacqui Dixon

Bright, Bold and Exceptional Quality Prints Attracts Bidders

Ellsworth Kelly, Blue/Green (EK70-336) sold for $17,500

Our September 2017 Prints and Photography Online Auction Results

Responding to market trends for bright, bold and exceptional quality of minimalist prints, the highlight of our auction was Ellsworth Kelly’s Blue/Green (EK70-336) achieving a top five price for the artist’s prints this year. Selling for over three times the high estimate for $17,500, Blue/Green (EK70-336) caught the attention of many bidders. Reflecting the transition between Kelly’s postwar abstraction towards a minimalistic point of view, this work is a poignant and important time the artist’s career. Blue/Green is also a perfect example of the exactitude of the lithographic process, the crisp delineation between the ink and white spaces.

What Attracts Collectors to Prints?

Printmaking techniques are also important factors to consider when collecting and buyers were equally drawn to Kelly’s perfectionism. Another highlight from the auction was Josef Albers who’s I-S’K (from Homage to the Square) sold for $10,625. The instant recognisability of the artist’s style has grown in popularity by collectors. Not only precise, but the colours that each square dons, has strong links to the colour field movement, while also expressing minimalistic tendencies.

This print was a rarity on the market as the colour combination selected by Albers was unique, combining deep, rich colours contrasting with an apple green centre square, which was undeniably attractive to buyers.

There is clearly excitement around the Bauhaus movement and its artists within the art community from exhibitions to collecting taste, ranging from printmaking to architecture. This modern movement will be gaining strength and one to watch on the auction block for seasons to come.

What's Popular in Photography?

Black and white photography continues to dominate the market as buyers look to build their collection with notable, groundbreaking photographers of generations gone by.

Works by André Kertész performed exceptionally well with a perfect sell-through rate, totalling over $16,500. Not only in pristine condition, these works were particularly strong due to their direct provenance from Kertész himself, by way of a private collection near Toronto.

Why Buy Prints & Photography?

Prints and Photography are an affordable way to build your art collection, while also providing access to the very best artists. Waddington’s Prints and Photography department’s expertise draws top works by consignors globally, while also attracting bidders from around the world, remaining competitive with other international auction houses.

To find out more about our auctions and how to consign, please contact Holly Mazar-Fox,


Posted: 10/2/2017 12:00:00 AM
By: Holly Mazar-Fox

Ethnographic Arts & Artifacts Auction Highlight: A Yoruba Ogboni Drum


This rare Ogboni drum carving by Areogun (c.1880-1954) of Osi Ilorin, Northern Ekiti, Nigeria, is featured in our Ethnographic Arts & Artifacts Auction.

With a pre-sale estimate of $8,000—12,000, the carved wood drum, with natural pigments, hide and fibre, stands 64.8 cm, with a diameter of 53.3 cm.

Note: The Ogboni drum was used throughout Yoruba (southwestern and north-central Nigeria) in most cultural events, and their collective symbolism helps tie together elements of Yoruba society. In fact, without the music of the Ogboni drums, most funerals, festivals, and ceremonies would have been incomplete or impossible.

These drums, known as the ritual drums of Nigeria, have remained primarily remote and covert.

The Yoruba is one of the three largest ethnic groups of Nigeria concentrated in the southwestern part of the country.

Sherwin Memel, Los Angeles; Lot 102,
Sotheby’s, New York, May, 16, 2008;
Collection of Joey and Toby Tanenbaum, Toronto

Ethnographic Art and Artifacts Online Auction
September 30 - October 5

Register now to bid online:

On View:
Sunday, October 1, 12:00 pm to 4:00 pm
Monday, October 2, 1:00 pm to 7:00 pm

To find out more please contact Andrew Brandt at 416.847.6168 / 

Posted: 9/26/2017 12:00:00 AM
By: Andrew Brandt


Lot 320 - 2000 Chateau Petrus, price realised $4,860

Our inboxes have been buzzing with happy buyers and sellers as our September Fine Wine auction closed on Tuesday with 97.7 % of lots selling.

We thought we would share some of the auction statistics with you.

Total # of Lots  44
Total Estimates  $562,690-664,700
Total Hammer (bid)  $665,625
Total Realised (bid+premium)  $798,750
Total Bids Placed  4,334
Total Lots Sold  436
Total Lots Unsold  10
Sold Percentage  97.76%
Total Lots Sold Over High Est  335
Total Lots Sold Double High Est  23

All of this to say that throughout 2017 we have maintained an average of 97% of lots finding buyers at consistently strong prices.

Highlights of the auction:

Lot 96 - 1990 Chateau Margaux 1-6 litre bottle $10,560 (including buyer’s premium)

Lot 23 - 1989 Chateau Haut Brion 4 bottles $8,160 (including buyer’s premium)

Lot 135 - 1995 Opus One 6 bottles $5,100 (including buyer’s premium)

Lot 320 - 2000 Chateau Petrus 1 bottle $4,860 (including buyer’s premium)

For a full list of prices realised please see

Upcoming auctions

We are finalizing lots now for our November auctions and are already in the planning stages for our February 2018 live and online auctions. Wine collectors considering selling are asked to submit lists for consideration at least 10 weeks prior to each auction. The dates for 2018 auctions are posted on the website.

We look forward to offering you another robust and invigorating offering online from November 20 - 28.


The Waddington’s Fine Wine and Fine Spirits Team


Posted: 9/25/2017 12:00:00 AM
By: Stephen Ranger

Embracing Simplicity, Style and Workmanship

What do Eames and Miller have in common with Jensen, Hansen and Anderson?

Let’s start with they're all part of a resurgence of love for design inspired by the mid-century modern era in home furnishings, décor, art and architecture. A love for stylish, yet functional, clean-lined designs, exemplified by furniture designers Charles and Ray Eames and Herman Miller.

It’s not hard to see why people are in love with this style once again. The scale and simplicity is perfect for anyone streamlining their life; whether you’re in pursuit of a more Zen-like environment or responding to the practicality of what works best in the structure of condo living.

And with the same style aesthetic, creations by the jewellery designers of that period are equally relevant and appealing today, with their focus on simplicity, style and workmanship.

The philosophy of designers Georg Jensen, Hans Hansen and David Anderson and others was to create designs of both functionality and beauty - craftsmanship at the forefront.

Our upcoming Silver & Costume Jewellery auction features several excellent examples by Jensen, Hansen and Anderson, as well as by lesser-known designers, whose designs are equally compelling.

If you are a lover of anything mid-century modern, make sure to you take a look at the many amazing offerings in our September 30 – October 5 online auction.

Here are a few lots that might appeal to your sense of style:

Lot 22 ERLING CHRISTOPHERSEN NORWEGIAN STERLING SILVER PENDANT set with a granite specimen, and suspended on a silver chain
Estimate: $100—150
Together with:
Estimate: $120—160
Lot 24 GEORG JENSEN DANISH STERLING SILVER BRACELET, CIRCA 1960’s. Designer: Steffen Andersen, design #210
Estimate: $200—300
Together with:
Estimate: $60—80
Estimate: $80—120
Estimate: $200—300


To view all the items in the September 30 - October 5 online auction visit: Silver & Costume Jewellery Auction.













Posted: 9/22/2017 12:00:00 AM
By: Christa Lambert

Making Your Connection ...with Art

I watched the Emmys Sunday night. From start to finish. No fast forwarding. Stephen Colbert is reason enough to extract this level of commitment from me but I also experienced a revelation where I least expected it. From Donald Trump. Okay not THE Donald Trump but rather from Alec Baldwin, who won an Emmy for his SNL portrayal of the current president.

I’ll have to paraphrase slightly, but Baldwin’s acceptance speech resonated with me. He said when we are at the end of our life, we won’t remember a bill that was passed or a supreme court decision or an address made by the president. We remember a book, or a line from a favourite play, a painting, a scene from a movie or a song. Unlike Proust and his madeleine cookies, for me it is music, books, and pictures that provoke strong memories and deep emotion, so I agree with Mr. Trump...I mean Alec.

When I walked around our sale room today, I was reminded of this: How the art we choose to surround ourselves with enriches our lives throughout our lifetime. There are pictures hanging now that I will really miss when they leave Waddington’s for their new homes but I won’t soon forget them. I’ve made a connection. Art helps us connect with each other, too. With people from our own time and those that have gone before.

We want to encourage you to come down and make that connection, too, so we’ve extended our viewing hours for the Select Auction and will stay open for you to visit Tuesday, September 19 and Wednesday, September 20 until 7 p.m.




Posted: 9/19/2017 12:00:00 AM
By: Linda Rodeck

One of Mark's Auction Tips: Visit the Preview!

Mark inspects lot 304 in the Dec Arts auction.

With Asian Decorative Furniture, Scrolls and Sculpture, and Decorative Arts online auctions closing today, Mark will check the bidding on his favourite items to see if he is still interested. He might even look at other items if the current bids exceed his wisely set, self-imposed limits.

Following his own advice, Mark came to the preview on Monday to see everything himself. Interestingly, one of the items he loved in his original online browsing was not as compelling in person. So he's dropping back in today for a sneak peek at the Canadian Select online auction to look for something else. *While the preview officially opens this Sunday, September 17, our specialists are always happy to book personal appointments.

I think we've lost track of where he is with his original budget of $5000 - but that doesn't really matter as it's been a blast following his selection process.

Mark's Choices So Far:

From the Sept 12 Quarterly Jewellery Auction:

Lot 222 - 14 K white gold & blue topaz ring, est $250-350

I don't own much jewellery except for rings which I usually wear only on my left, pointing finger. I love white gold (or sterling silver) over yellow gold and the beautifully-cut blue topaz and diamonds add just the right amount of "bling" without being obnoxious. And since it's already a size 10-1/2, I wouldn't even have to re-size the ring!

*The ring sold in Tuesday's auction for $288. If Mark was actually bidding - it might have been his!

From the Decorative Arts Online Auction:

MJG - There are several items which have perked my interest in this auction. They include several house-ware-y and accessory items and one which is a nice bit of Canadiana.

Lot 185 - "Nemours" Lalique bowl, est $200-300

IF I'm going to own a fine example of cut glass, I may as well buy Lalique, non? Although I'd also hold-out for just the right example of Tiffany. This bowl is a nice size and if I can find a glass-insert to place inside, I would totally put this on an entry-way table for my keys and wallet. The flowers add a slight feminine fmotif while the black enamel dots are a nice graphic detail.

Lot 195 - Enrico Cammozzo Murano Glass Large Vase, est $250-350

This nicely-sized vase might be from the 1980's but it would be a perfect accessory to put on top of a small pile of art books, atop my credenza and be as good an excuse as any to buy cut flowers.

Lot 285 - Wedgwood Gilt Black Basalt Pastille Burner c.1900, est $75-150

This curious burner would be a great counter to the Murano glass vase. The black and gold in both for sure compliment each other perfectly while the antique motifs would also soften the strong, dominant forms of my credenza. Plus, I could put my topaz ring inside, when I'm not wearing it.

Lot 304 - Ormolu Mounted ‘Sèvres’ White Biscuit Group of Two Maidens late 19th century, est $75-150

This lamp would be a beautiful statement piece. I'd get this professionally re-wired (and re-restored for the oopsies) and attach a large Edison-style lamp bulb and no shade to give an updated, pseudo-contemporary look. For around the same price of a lamp found in big-box decor store, I'd have a gorgeous antique which reflects the romantic designs of the small Wedgwood burner while interplaying nicely with the strong lines and forms of the credenza.

Lot 444 - Contemporary Cherry Free Edge Log Stool, est $100-120

This little bit of Canadiana would look great beside my black leather side chair. Plus I'd have something to put my drinks on as well as my TV clicker, which I have a tendency to misplace. The natural, organic form would bring a bit of Mother Nature into my otherwise contemporary-ish home decor.

From the Asian Art Online Auction:

Lot 83 - Birds and Gourds Signed Bo Yan ??, est $100-200

This large painting, colour-wise, would work harmoniously with my credenza & leather side chair, the Murano vase and Wedgwood burner. I love birds. And gourds are representative of happiness and good luck in the Chinese culture.

Lot 126- A Small Hardstone Inkwell, est $300-400

This little fella is a curious choice. I simply like the quirkiness of the opposing, carved heads. And the thought this may have been used for generations gives it a nice history. And hey, this could be another holder for my white gold and blue topaz ring!

...And He's Still Shopping!

Being a good son, Mark is looking through the Fine Wine & Fine Spirits auctions to find something for his dad, whose birthday was September 10. Mom and dad's anniversary also requires another review. (The Wine & Spirits auctions close September 19.)

Mark is also coming by to see the items in the September 16-21 Canadian Art Select online auction, and take another look at some of the lots in the Prints and Photography auction, which closes September 21.



Posted: 9/14/2017 12:00:00 AM
By: Tess McLean

The $5000 Auction Challenge

The Auction Challenge

We asked our good friend Mark Gleberzon to participate in a unique challenge. We asked him: "If you had $5000 to spend at auction - what would you choose?" With Mark's background as an artist and his own personal style and sense of design, it seemed like a challenge custom-designed for him.

Here was our original conversation with Mark:

W – What do you think will be the most difficult part of this challenge?

MJG – I am actually in the midst of looking for a new place to live. I sold and donated and actually even consigned some items to Waddington’s (!) looking for a fresh, new start. Even decor-wise. So, this challenge will be fun. And hey, I might end up bidding on one or two things to keep, for reals. The challenge will be to rein in the crazy! It's always easy to find items to "want". It's more difficult to commit to something I might actually "need". Unlike a retail store, I can't return my purchase from an auction house. My selections - even fictional - need to be thoughtful and practical.

W – How about you select a work of your own collection as a starting point, to build around. Perhaps a favourite piece of furniture or one of your own works of art?

MJG – The few furniture items I kept include a mid-century modern credenza and a cozy black-leather chair. And yes, we could certainly include one of my photos or paintings to use for further decor inspiration to draw colours and other considerations from.

W – Do you have a strategy when you’re bidding in an online auction?

MJG – budget and commitment are my two most important strategies when it comes to purchasing from an auction. It's always easy to see something and fall in like with an object. But reality must be considered. What am I really able to afford and will the object be what I need and will use and ultimately enjoy having in my home?

W – Do you have any words of advice for those new to the auction world?

MJG – I have several words of advice, starting with:

Do your research. Every auction maintains records of what has sold in previous sales. It's a fantastic resource to see market trends, realized prices and the kinds of items you’ll find in a sale.

Go to the viewing previews. If you're a stickler for perfection, look at the object you covet in person. Hold it. Feel it. See if there's a connection between you and it. Don't only go by photos. If concerned, ask if there's been any restoration. And hey, sometimes you can learn if the prior owner was a noted collector or someone famous.

When there's the opportunity to, attend a live auction, go. Perhaps first watch how people bid and even the kinds of people who are bidding. You will see seasoned buyers and collectors who love the small victory of their winning bids as well as seasoned bidders who may be dealers or designers, looking to re-sell or buying that special something for their client's home. Auctions can be somewhat slow but if you have the right auctioneer and bidding gets fierce, they can be rather entertaining.

When it comes to online bidding, watch how bids are placed and the increments at which prices go up. And if you take that leap of faith and bid yourself, be mindful of your budget!! That can't be stressed enough. Keep in mind you're not only paying the price of the winning bid but also the auction house premium (a pre-assigned percentage, usually) as well as those dreaded taxes. It's easy to get caught up in a bidding war. Unless the item is that unique or the opportunity too personally important to let the item be purchased by someone else, you may just have to show restraint and put the paddle down (in a live auction) or not press the 'bid' button (if you're bidding online)

W - Thanks Mark! That was a great primer for anyone new to the auction world.


Posted: 9/7/2017 12:00:00 AM
By: Tess McLean

Two Things to Know About Fine Prints & Photography at Auction: “The Cachet without the Cash”

Fact 1: Auction houses are a fertile springboard for strengthening the market for prints and photography.  And as an integral part of that market, we're pleased to offer a unique selection of Fine Prints & Photography in our September 8- 21 auction featuring Modern, Contemporary and Impressionist artworks.

Fact 2: Global online art market sales surged to $3.75 billion in 2016, a 15% increase from 2015.   As a leader in online auctions in Canada, we predict this growth trend to continue. Approximately 35 % of our revenue is currently generated by online auctions. We act opportunistically to determine the best platform to suit the potential of the material being featured; for the prints and photography market, online auctions have proven to be the optimal method for us to reach our international audiences.

Waddington’s Fall 2017 Prints & Photography online auction includes excellent examples of the type of works currently sought by collectors, including two special works by Andy Warhol: Flowers, 1964 and Wayne Gretzky #99, 1983.  Warhol’s portrait of “the Great One” seems particularly apropos in this year of Canada’s 150th anniversary - giving us another reason to celebrate Canadian icons.  This dynamic silkscreen brings to life Warhol’s obsession with portraiture and celebrity (which extended to elite athletes), and captures the vivacity of Gretzky as a budding legend with bright and bold energy.

On the subject of icons, three works from the final photo shoot of legendary movie star Marilyn Monroe are also included in the auction.  American photographer Bert Stern captured both the beauty and fragility of Monroe in a series of photos that would become to be known as the “Last Sitting”.  Marilyn with Diamonds is one of the best from the series -  Marilyn draped in diamonds and pearls, the epitome of sensual and human vibrancy - later adorned with 23 Swarovski crystals by Stern. Crucifix is actually one of the prints Monroe didn’t want published, indicated by the ‘red cross’ scribbled across in marker.  Like other portraits of Stern’s from the 1960s, these images of Monroe exhibit a directness without sacrificing the sitter’s natural relationship with the camera.

Amongst the prints included in the September auction is a perfect archetype of German-American artist and Bauhaus alum Josef Albers. The Bauhaus concept of the union of art and design is clearly evident in Albers’ I-S’K, where he experiments with a single, repeated geometric shape, the relativity of colour, and how it changes through juxtaposition, placement, and interaction with other colours. Albers’ work continues to gain traction as appreciation of the Bauhaus aesthetic increasingly suits contemporary design tastes.

We’ll continue to add to our online preview gallery and look forward to welcoming you to our gallery to preview the entire auction September 8 – 21, which will be hosted by global powerhouse In the meantime, please don’t hesitate to contact me directly if you have any questions.

Posted: 8/1/2017 12:00:00 AM
By: Holly Mazar-Fox

Recent & Upcoming Events in Canadian Art

What's Happening in Canadian Art at Waddington's

Waddington’s May 29th Spring Auction of Important Canadian Art was an exhilarating evening with the total hammer price for the sale widely exceeded Waddington’s pre-sale expectation for this select 112 lot event.

Our cover lot, an early topographical watercolour by William Armstrong, came within a hair’s breadth of setting a new world record for the artist. Our back cover lot, a mighty 1961 McEwen painting, doubled its pre-sale estimate, and dozens of other lots soared well above their pre-sale estimate, to our sellers’ great delight.

On June 27th, we will be conducting our Canada 150 Auction which includes exquisite and fascinating objects and works of art selected to tell the story of Canada’s history. The sale is a collaborative event supported by the Canadian Art, Decorative Arts, Inuit Art, International Art and Jewellery Departments here at Waddington’s.

Please be sure to look for highlights from the Canadian Art Department including a suite of 21 paintings by William Kurelek depicting Huronia in 17th Century Canada, as well as works by AY Jackson, Frederick Banting, Emily Carr, Jane-Ash Poitras and others.

Details about this special sesquicentennial event can be found here: The Canada 150 Auction


Posted: 6/15/2017 12:00:00 AM
By: Linda Rodeck

Waddington’s Canada 150 Auction

The Canada 150 auction is a special Waddington's event celebrating Canada's 150th anniversary featuring art and objects of historical and cultural significance. Some may be whimsical, others more important, all drawn together to celebrate and tell the stories of 150 years of Canadian art and culture. Waddington's is proud to be Canada's oldest auction house, founded pre-Confederation. Our deep well of expertise crosses multiple collecting categories, showcasing our rich passion and capacity for scholarship and linking our heritage to Canada's. This specialized auction will share in the excitement of Canada’s sesquicentennial. Please contact Sean Quinn for further information: View the Auction Gallery










Posted: 6/3/2017 12:00:00 AM
By: Tess McLean

In Memory of Ron McLean, Auctioneer Extraordinaire

Ronald McLean, the patriarch and founder of modern-day Waddington’s, passed away this past Saturday morning, March 25, at the age of 92.

Ron will be remembered for both his business integrity and engaging charm, but most people will also fondly recall his skill, character and humour, as a wonderful auctioneer. Whether he was selling an eclectic, one of a kind piece to an anxiously excited client at a Waddington’s regular weekly auction, or a fine painting that was destined to grace the wall of a prominent collection offered in a catalogued auction, his auctioning style was the same, delivered in his broad, Northern England accent. Informed, at the same time entertaining, and never missing a bid.

In contrast to this new era of anonymous and impersonal online auctions – Ron, sitting above the crowd and declaring an item he was offering as “not hard sold” was the classic old school auctioneer.

A celebration of Ron’s life will be held in early May at Waddington’s.
Posted: 3/27/2017 12:00:00 AM
By: Duncan McLean

Shades of Grey: Prints & Photography Auction

Shades of Grey brings together the very best prints and photography under the harmonized palette of the black-and-white, significant “must haves” to complement any collection. This specially-curated auction features highly sought after works by major masters of both mediums from 19th century legends to today’s avant-garde contemporary artists.

Shades of Grey as a theme celebrates the finest monochromatic prints and photography, covering a range of notable styles from the abstract art of Dame Barbara Hepworth (lot 12) to the architecturally inspired contemporary photography of James Nizam (lot 27) – a selection, exclusively chosen for this sale.

The leading lot in the auction is David Bailey’s coveted Box of Pin-Ups – a rare, complete collection of 36 photographs dating from 1965 (lot 1). This portfolio is a seminal photographic treatise celebrating the cult of celebrity and fashion. This portrait ensemble features superstar icons such as Mick Jagger, John Lennon, Michael Caine and David Hockney among others. Exceptionally complete portfolios such as this are scarce and we’re very excited about presenting this to the market.

Two other key lots by trailblazing artists from both the printmaking and photography world include Sybil Andrews’s Canon (sic) Street – Railway Bridge (lot 20) and Helmut Newton’s Portrait of Violetta (lot 23). A pioneering force in the art of printmaking, Canon (sic) Street is one of Andrews’s earliest etchings. In this work dating from her early career, Andrews explores a fascination with the modern transport age, a theme that was to become iconic of the artist’s career as a whole. Helmut Newton’s photography revolutionized the intimacy of the female nude and beauty and Portrait of Violetta was produced at the height of his fame. To this day, Newton’s photographs from this seminal period remain highly sought after by collectors.

Other notable highlights include graphics by iconic modern masters such as Pablo Picasso, Henry Moore and Joan Miro; whose legendary individualistic styles are captured in these prints.

Shades of Grey offers something for every collector. Our auction contains fascinating and groundbreaking artwork by well-known artists at affordable price points all brought together by the enigmatic palette of the monochromatic, grisaille and black-and-white.

Register and bid here

Posted: 10/26/2016 9:00:00 AM
By: Tess McLean

Fall 2016 Prints & Photography Auctions

At Waddington's we like to try new things and with this season's upcoming fall Prints & Photography auction series we are doing just that. Waddington's has been at the forefront of new initiatives within the auction house world and the wider art market ever since our foundation in 1850. With such deep seated roots, imbedded within our industry throughout Canada, and with a stellar reputation internationally, it is with great pride that we continually adapt and respond to the needs of the art collecting public.

As tastemakers and industry leaders in the arts, we feel a responsibility to constantly advance the art market and educate collectors by curating sales that pair fresh ideas with the highest quality art pieces, with a goal of developing engaging perspectives. We live for those "Aha" moments within our practice among our collector base, reigniting existing art passions or new discoveries that lead to a lifelong relationship with a particular movement, artist or medium...or all of the above!

Our fall Fine Prints & Photography auction programming carries this strong tradition of developing new ideas and innovative ways of thinking about engaging with progressive art that forms the very cultural fabric of daily lives.

Beginning with our Fine Prints & Photography Online Auction (October 1 — October 6, which will simultaneously be on view at our Toronto gallery), this sale will feature important lots, in both media from pop art icons, including Andy Warhol, Roy Lichtenstein, Ed Ruscha and Robert Indiana as well as European superstars: Henry Moore, Marc Chagall, Barbara Hepworth and Salvador Dalí, just to name a few. Equally attractive to seasoned collectors, who are looking to enhance their own collections by exploring different mediums, but also to budding buyers who seek to lay the foundation of their own art story with well-known artists of the blue-chip variety with affordable entry price points. You too can own works by artists who dominate the art market headlines and that form part of major institutional collections!

This will be followed by a new addition to our roster, Shades of Grey: Prints & Photography (also an online auction, running from October 27 — November 3 to be exhibited at our Toronto gallery space), a specially curated auction that celebrates the tantalizing qualities of vibrant contrasts, exhibited by the vivacious tonalities of black and white.

This sale will bring together important works of black and white photography alongside monochromatic prints, with a particular focus on modern and contemporary art movements.

Taking cues from the blockbuster literary works and film that have made Shades of Grey a catch phrase — this auction will also explore the intimacy of our connection to art, that stimulates our many senses, beyond the purely visual means. While also delving into the bond these palettes share and the power being expressed in these works of art.

Remaining at the forefront of our craft and due to the global demands of our consigning and buying public, it is only natural that these sales take place on our highly successful online auction platform. Best suited for today's international collector with around the clock bidding accessible from Saskatoon to Shanghai!

Don’t miss the opportunity to check out what we have in store with a small teaser of works that will be up for auction by clicking the links below to our preview galleries:

We look forward to seeing you this fall season!

For Consignment information, please contact:
Holly Mazar-Fox

Posted: 6/29/2016 12:00:00 AM
By: Holly Mazar-Fox

Decorative Arts and International Art Auction

On December 7 2015 Waddington’s International and Decorative Arts Departments auction will be led by a fine selection of artworks from across the globe. Once again, we have selected the finest paintings, drawings and sculptures from numerous estates and private collections. The framework of this auction resists chronological or country order and instead, we present this offering to highlight the respective dynamism of these works by emphasizing their sameness or exalting their variations.

John Callcott Horsley’s At the Window (lot 25) is featured on the front cover of our catalogue. With the terrier looking eagerly into the distance, this work invites you to view the wonderful works of art contained in its pages following.
An impressive large canvas by an artist from the circle of Sir Anthony Van Dyke (lot 14), removed from the Collection of the Warwick House (London, UK) in 1906, will charm with its tender depiction of the three eldest children of King Charles I and their faithful King Charles spaniels poised at their feet.

We are pleased to continue to offer works consigned to us by the Art Gallery of Ontario (AGO) as part of their strategy to refine and improve its collection. This auction includes a number of Old Master and 19th Century drawings (lot 6 – lot 10 inclusive; lot 23).
The sale is complimented by technically superb portraits of Catholic cardinals, including the oversized work by Giuseppe Signorini (lot 45). A Toronto collector while in Rome, Italy commissioned this work directly from the artist in October 1929.

Likewise, we are privileged to present the historic canvas, Clipper Ship “Thermoplyae” by Montague Dawson (lot 34) in its original untouched condition. “Thermoplyae” features a single clipper ship as its protagonist. Here, Dawson has the composite vessel appearing to pitch and heel amidst a swelling sea under ominous storm clouds. This work retains the original gallery label from the Watson Art Galleries (Montreal, CA), a prominent Canadian purveyor of the most important European pictures sold in Canada. The work is accompanied by a photo-certificate from the Canadian photographic firm William Notman & Son Limited (Montreal, CA).

This Dawson oil on canvas is joined by a superb watercolour by the celebrated British artist. The beautiful coloration of Montague Dawson’s Close hauled (lot 35) additionally compliments the grandness of Charles Edward Dixon’s impressive, detailed historic watercolour scene The First Canadian Contingent Escorted by Princess Royal (lot 19).

A rare canvas by Denis Louis Bihan Niagara Falls, City of Buffalo in the Distance (lot 18) offers viewers a spectacular view of the falls from a lofty vantage point.

A heroic battle scene by Francesco Coleman offers a cavalry charge with richly costumed Bedouins (lot 42) bathed in brilliant daylight. Coleman’s clear command of pictorial spatial recession and atmospheric and tonal affects creates an exciting view for its spectator.
Assembling an auction of this scope imposes an enormous amount of commitment and energy.  These biannual events are accomplished with thorough consideration and a rigorous review of scholarship but can only be executed with great cooperation. I am fortunate and indebted to my colleagues for all their assistance.   
My final and most significant thank-you is to you, the collector, and your remarkable vision and enthusiasm in your acquisitions.
I look forward to greeting you at our previews dates.

View the Auction Gallery

Posted: 12/3/2015 12:00:00 AM
By: Susan Robertson

Fine Prints and Photography Auction

Waddington’s is pleased to present our Fall 2015 Fine Prints and Photography Auction. This sale offers an exceptional group of works from celebrated Canadian and international artists that spans from the 15th to the 21st centuries.
We are also privileged to announce Waddington’s continued involvement in the sale of works deaccessioned from the Art Gallery of Ontario. This auction includes a number of fine prints that have been deaccessioned in anticipation of future acquisitions that will complement the existing collection of the Art Gallery.
We are honoured to present graphics gleaned from private collections, including those from the extraordinary collecting eye of Erica Rutherford (1923-2008).  A celebrated Canadian artist and undoubtedly astute collector, her extraordinary life adventures took her across the globe.  Proceeds from the sale of this collection will benefit The Erica Rutherford Memorial Scholarship.
Collectors will find masterworks by Zao Wou-ki, Jasper Johns, Helmut Newton, Jean-Paul Riopelle and full portfolios by Marino Marini, Foujita, and Paul Wunderlich.  Highlights include old master etchings by Rembrandt, Durer and their contemporaries; an impressive Canadian album circa 1866-1867 by William Notman; and M.C. Escher’s Platwormen (Flatworms), acquired directly from the artist.
This auction presents an opportunity to appreciate an array of works that showcases the extraordinary breadth and scope of the full histories of photography, fine prints, and multiples. Likewise, it offers collectors an appealing range of estimates and artworks.

More information concerning eligibility and selection regarding The Erica Rutherford Memorial Scholarship can be found by contacting:
The Erica Rutherford Memorial Scholarship
C/O The Prince Edward Island Council of the Arts 
115 Richmond Street Charlottetown, PEI
C1A 1H7
Tel: 902-368-4410

View the Auction Gallery

Posted: 10/22/2015 12:00:00 AM
By: Susan Robertson

Spring International Art Auction - Catalogue Available

In the spirit of Daniel O’Neill’s Old Time Dance gracing the cover of our Spring 2015 International Art catalogue, we invite you to share a dance with us after a long cold winter and bring to the podium this carefully chosen grouping of paintings, drawings and sculptures.

It is with great pleasure that we announce the whereabouts of a portrait by Pre-Raphaelite master Sir Lawrence Alma-Tadema, having been previously recorded as “present location unknown.”  Ernest Gambart, a preeminent member of London society and great patron of Alma-Tadema, commissioned the work in 1870. It is speculated that the sitter is Gambart’s illegitimate child. The portrait travelled from London, England to Montreal sometime after 1913. Following its arrival in Canada, the Watson Galleries sold it to a private collector.  A more detailed account of the provenance for this rediscovered work can be found in the following pages.

Waddington’s is also pleased to feature an impressive landscape painting by famed Russian/American artist Abraham Manievich.  This work was acquired directly from the artist as a result of a friendship forged between the artist and the collector.  On his visits to Canada, Manievich regularly took up residence and painted at the collector’s Montreal home.  Only selected and privileged friends and family invited to the collector’s home were able to view the landscape following its 1937 execution.  This Manievich oil on canvas comes to the market having passed by descent to the collector’s grandson.

The above works are offered alongside Berthe Morisot’s drawing Portrait of Alice Gamby, a watercolour by Andre Derain, two bronzes by Sir Jacob Epstein, and an Old Master work from the School of Canaletto. Our Spring 2015 catalogue brings to the fore some of the most significant international art works gleaned largely from private collections.

These works have been a delight to research and continue to surprise me.  This journey is the ingredient that has captivated my interest for some thirty-odd years. 

View the Auction Gallery
(International Art Lots - 350-396)

View the PDF Catalogue

View the Virtual Catalogue

Posted: 5/29/2015 2:00:00 PM
By: Susan Robertson

International Art - Final Call for Consignment

DANIEL O`NEILL (1920-1974),
$10,000 - 15,000
Waddington's Spring International Art auction on June 16 showcases significant oil paintings from many Private Collections that have been in Canada for well over half a century. One of the earlier works entrusted to us for this sale is Man Seated by the Sea by Ukrainian artist Alexis Gritchenko (1883-1977). With its rich palette of vivid and binary colours employed using passionate brushwork, it is sure to captivate the attention of the most discernible collectors.

From this auspicious start began a four month process of selecting the finest works to showcase, followed by the detailed research that each and every work undergoes when offered in our live bi-annual International Art auctions. We are delighted to feature two oils by Irish artist Daniel (Dan) O'Neill (1920-1974): Old Time Dance and Convad. The two paintings have not been on the market since their purchase from The Waddington Galleries Inc., (Montreal, QC) in the 1960s. Alongside these works is a most appealing portrait of a woman by the Russian-born set and costume designer Sergei Yurevich Sudeikin (1883-1946). A diminutive watercolour, Tete Antique by Andre Derain (1880-1954), co-founder of the Fauvist movement characterized by its rich red colouration and sure brushstrokes is also sure to delight.

To arrange for a complimentary consultation to discuss consigning to this important auction, please contact:

Susan Robertson
1-877-504-5700 ext. 6179

Deadline for consignments is May 11.

View the Auction Gallery
Posted: 4/16/2015 12:00:00 AM
By: Susan Robertson


Andy Warhol (1928-1987), American
LIZ, 1965 [FELDMAN & SCHELLMANN, II.7] (detail)
From Rembrandt to Warhol and Mapplethorpe, highlights from Waddington’s Fine Prints and Photography Auction on March 10 tell an international success story.

Stepping down from the podium at the end of the evening March 10, Waddington’s auctioneer and Vice President, Business Development, Stephen Ranger immediately commented how exciting it had been “to sell such a diverse collection of material – to such a diverse audience.” Over the course of some three hours, over 300 works dating from 1645 to the present day were sold to a full house and numerous bidders over the telephone and online. Ranger added: “It’s particularly gratifying to see international prices achieved here in Canada. It shows how truly global the market has become and our ability to sell well beyond our borders.”

Highlights of the auction included Andy Warhol’s Liz selling for $57,600, Robert Mapplethorpe’s Ken Moody with Orchid reaching $14,400, and a rare Rembrandt toned etching, Old Man in Meditation, dating from 1645 soaring above its presale estimate of $3000/5000 to realize $19,200 (all prices include buyer’s premium).

Ranger, who heads up Waddington’s Concrete Contemporary art department, also commented on the overall strength of contemporary art. Included in the auction were a number of works donated by artists sold to benefit the Scotiabank CONTACT Photography Festival, the highlight – Sebastio Salgada’s Upper Xingu Region Brazil – sold for well above its presale estimate of $10,000/12,000 to realize $19,200. Funds raised from the sale of these works go towards programming for the 2015 CONTACT festival and to support the over 1,500 artists who participate.

Attracting new and young collectors, Fine Prints and Photography continues to be a dynamic and growing category and we plan to conduct a second auction for this year in the fall of 2015.

View the Auction Results Gallery

Posted: 3/17/2015 12:00:00 AM
By: Susan Robertson

Spring 2015 Fine Prints and Photography auction

It is a great pleasure to present Waddington’s Spring 2015 Fine Prints and Photography auction.

Using outstanding quality and rarity as our guiding principles, we have assembled this sale of fine prints, multiples and photographs tailored to the tastes of both our emerging and experienced collectors. The result is over 300 lots of the most renowned Canadian and international artists that illustrate the multitude of artistic movements that can be found over the course of 500 years of printmaking.

Highlights of this auction include many fine graphics by Canadian printmakers represented by a roster of major works from coast to coast. From Western Canada, we are thrilled to offer the important colour woodcut by Walter J. Phillips, Mamalilicoola, British Columbia, 1928, which graces our inside cover (Lot 155). From Eastern Canada, Alexander Colville’s two silkscreens: Raven, 1990 (Lot 159) and Cat on the Fence, 1959 (Lot 160) convey a realist style similar to that of his paintings. In addition, we are extremely privileged to offer a rare series of five states of House at Path End, 1977 by Christopher Pratt (Lot 156); from Ontario, two early monoprints by Harold Town (Lots 142A and 142B) and The Skates, 1972 by Ken Danby (Lot 211); from Quebec, Claude Tousignant’s Sans Titre (Series of Six Abstracts), 1975 (Lot 180). This suite has not appeared on the market as a set in decades – its optic vibrations will captivate you.

Works by American Pop artist Andy Warhol are also included: graphics from Warhol’s most famous series, Campbell's Soup Cans (Lots 92 and 93); Liz, 1965 (Lot 90); and three unsigned acrylic panels attributed to The Factory (Lot 95). These are testaments to Warhol’s preoccupation with mass production, consumerism and the pleasure of repetition.

Prints and complete folios by the most significant international masters such as Henry Moore (Lots 116-120), Pablo Picasso (Lots 297-302), and Marc Chagall (Lot 260-264) present a most powerful offering. Also featured is a Rembrandt van Rijn etching, Old Man in Meditation, Leaning on a Book, c. 1965 – a poignant print filled with pathos (Lot 216). Here the viewer glances into the private world of a scholar leaning on his book.

Works by contemporary photographers Robert Mapplethorpe (Lots 86-89), Saul Leiter (Lot 84), and Richard Harrington (Lots 7-9) are featured alongside classic black and white prints by influential artists of the past. William Notman’s photographs of 19th Century Canada will astound you with faces frozen in time (Lots 15-20)

Please note that works from the Scotiabank CONTACT Photography Festival and Charles Bronfman’s Claridge Collection are offered in this sale. Proceeds will benefit the Scotiabank CONTACT Photography Festival & Historica Canada, respectively.

View the Gallery

Download the Catalogue (PDF)

Posted: 3/2/2015 12:00:00 AM
By: Susan Robertson

As one auction season ends, another is soon underway…

Upcoming Auction Highlights
2014 was extremely busy at Waddington’s with 21 live auctions, 43 online auctions, several selling exhibitions and numerous fundraising events. Across our various departments we brought together 4,219 successful bidders with over 12,000 lots consigned by 3,039 vendors. And our Canadian art department set 12 new artist’s auction records this year!

Our success in 2014 was in great part due to our diversity of knowledge and experience, and our broad market networks. Waddington’s is well equipped to handle your items not only through our traditional departments, but anything you can challenge us with no matter how unique.

For me, the stand-out items are not always the most valuable ones. In 2014, what I found the most intriguing was The Billy Jamieson Collection of everything macabre, magical and outrageous – including a wooden New Guinea cannibal fork, a 19th c human tooth necklace, a pair of Houdini’s handcuffs and a commemorative slice of Jumbo the Elephant’s tusk originally presented to Mrs. P.T. Barnum.

Other 2014 auction highlights were a 16th c gilt bronze Buddha, a stone sculpture by Inuit artist Davidialuk depicting the story of Katyutayuuq, a rare set of 12 Imperial Russian dinner plates, a 19th c Napoleonic chess set depicting the Battle of Algiers, Sir Isaac Brock's Knighthood Commission document, an Elizabethan (1580) silver-mounted Tigerware jug, an Andy Warhol portrait of Karen Kain, and an important J.E.H MacDonald oil sketch for a major AGO collection canvas.  Now how’s that for diversity!

Spring 2015 will see Waddington’s offer yet another unique collection to complement our traditional department offerings: 250 pieces from the ‘FXSMITH Studio Collection’ including movie costumes and props from films like The X Men series and The Curious Case of Benjamin Button. 

We invite you to be part of our Spring 2015 season and to consider a consignment opportunity with us. Whether live, online or through private sale, we can provide the best forum to buy or sell.

Winter 2015 Newsletter (PDF)

Spring 2015 Auction and Consignment Schedule (PDF)

— Duncan McLean

Posted: 1/26/2015 12:00:00 AM
By: Duncan McLean


(1949 – 2015)

Toller Cranston lived in a grand Victorian home on Pembroke Street in downtown Toronto in the 1980s. Waddington’s was on Queen Street East at that time – on the other side of Moss Park, a short walk away. Toller was a regular at all our auctions, which in those days included twice-weekly estate auctions offering anything and everything to be found in a home. Toller was always on the hunt for the wild, the colourful, the outrageous, the beautiful and anything over the top. His favourite expression when he saw something he had to have was: “It’s beyond the beyond!” Pieces Toller had to have included an Italian Murano green glass indoor fountain that was destined for his bay window (where it actually worked once installed); a huge black metal sculpture of a flying raven; as well as every antique, carved wood cherub he could find.

One evening, I was hanging out with Toller and Bill Kime, another friend from Waddington’s, at his home. In our conversation Toller declared that it was time for him to start selling a few pieces to help spark a change in his life. This was during a difficult period for Toller, in the twilight of his skating career, and feeling unappreciated by the art world. (I remember a large canvas he had recently painted of classically Victorian dressed skaters on a frozen outdoor pond. On a hill next to the pond, a sinister-looking tree with another skater hanging by the neck from a branch over the frozen pond. That was Toller – dramatic and dark-humoured.)

Bill suggested that the best way to sell his pieces was not a few at a time, but all at once as a big event that would generate excitement; create a buzz in Toller’s world of art and entertainment. Toller loved the theatre of big events – and he was immediately excited by the prospect. In June 1991, after many days of working closely with Toller to catalogue the collection and produce a catalogue, Waddington’s offered the contents of his three-story house over a three-session auction. Invitations to the preview party were highly sought. Fans, collectors, voyeurs and media spilled out our front doors the evening of the first auction. And as predicted, the sale of his home and its contents allowed him to “reinvent himself”. Toller bought a magnificent estate in San Miguel de Allende, Mexico’s artist colony, where many ex-pat Canadians including Leonard Brooks and Toller’s good friend Gary Slipper were already settled. A new chapter of his life.

The reality is, Toller had already reinvented himself several times – from virtuoso world-champion skater, to caustic commentator to devoted coach – Toller had pushed the limits of a restrictive sport at every leap and turn. As a painter, Toller’s work was like his artistry on ice. Graceful, sensual, provocative, at times dark, or exploding with colour and energy. Defying tradition and eschewing conformity.

Toller lived large. He craved attention and appreciation, but he also spoke the truth as he saw it – which often landed him on the wrong side of the establishment. He had a wicked sense of humour and could slay his critics with a mere word or two. Toller was brilliant. He should be honoured as one of Canada’s most remarkable creative forces for changing the Canadian landscape in so many ways. Toller was a friend. He was generous, he was fun, he was both a social animal and a solitary man, a mercurial temperament who would disappear for months and then return with bravado.

Toller will be missed. By me, by those who had the chance to enter his magical life, and everyone else who will be touched by his creative legacy.

Duncan McLean

This photograph of Toller’s main floor living room was taken by Joy von Tiedemann and used as the auction catalogue cover. It’s a wonderfully mad room that is all Toller.

These images of Toller and his home were simply taken down off his wall to be used in the auction catalogue.

These images are of the auction preview displaying Toller’s immense and diverse collection. Waddington’s gallery had never looked so vibrant, so colourful or so fantastic!

Posted: 1/26/2015 12:00:00 AM
By: Duncan McLean

Fine Prints & Photography Auction - March 10, 2015

Robert Mapplethorpe
Ken Moody (With Orchid), 1984. [MAP, 1484]
Silver print; numbered 8/10
The beginning of another auction year is always exciting, especially as it brings one of our most popular events, the Fine Print and Photography auction. This year’s auction will once again feature many of the most desirable international and Canadian artists. As we approach the deadline we encourage you to contact us as soon as possible to enter your prints and photography into the sale.

The auction will feature an exciting selection of original prints by top international artists such as Alberto Giacometti, Andy Warhol, Joan Miro, Pablo Picasso, Marc Chagall, Roy Lichtenstein, Henry Moore, Grant Wood, Alexander Calder, Jim Dine, Henri de Toulouse-Lautrec, Tamara de Lempicka, Mary Cassat, Lovis Corinth, Marino Marini, Rembrandt van Rijn and many others.

Collectors will also have the opportunity to bid on original works by important Canadian artists such as Marion Florence MacKay Nicoll, Guido Molinari, Alex Colville and Jean Paul Riopelle. Highlights of our photography selection include works by Robert Mapplethorpe, Saul Leiter, Ralph Gibson and Andre Kertesz, as well as renowned Canadian photographers Richard Harrington and John Reeves.

The 2015 Fine Print and Photography auction will also showcase a special collection of prints and drawings from the collection of the Art Gallery of Ontario as part of their de-accessioning program. The collection will feature old master prints by Rembrandt, Adriaen van Ostade, Hans Beham and many others.

Waddington’s is the leading auctioneer in Canada conducting specialized print and photography auctions featuring original graphics by important Canadian and international artists. Exceedingly popular, our auctions consistently achieve top results within the international market.

The deadline for submissions is Friday, January 30, 2015. For more information about Print and Photography auction please contact us today:

Susan Robertson (Specialist) (416-847-6179)
Emma Frank (Administrator) (416-847-6182)

View the Preview Gallery

Posted: 1/14/2015 12:00:00 AM
By: Emma Frank (Assistant)

International Art auction wraps up 2014 in grand fashion

John Atkinson Grimshaw (1836-1893)
A striking brunette was the decided favourite of our December International Art auction. Found in a basement, the lovely oil on canvas titled ‘Brunetta’ arrived at our office covered in cobwebs. The cobwebs were brushed aside and Brunetta, by 19th century British artist John Atkinson Grimshaw, sold for $94,500.

The vibrant colours of ‘Flags’ by American artist Alex Katz also inspired enthusiastic bidding resulting in a final price of $40,800.

Deaccessioned works from the Art of Gallery of Ontario (AGO) were also on offer, with the beautiful Building Sandcastles by Hague School artist Bernardus Johannes Blommers bringing $22,140. (Waddington’s is honoured to assist the AGO with its deaccessioning strategy in its efforts to refine the public, community and art historical value of its collection.*)

Many thanks to all our clients as we wrap up 2014 and all our best for a wonderful new year. We look forward to bringing you a very exciting year of International Art in 2015!

Note: All prices are in Canadian funds and include buyer’s premium.

AGO Deaccessioning Policy

View the Results Gallery

Posted: 12/12/2014 12:00:00 AM
By: Tess McLean

Works from the AGO in International Art Auction

We arrive at our final auction of 2014 with great excitement following a hectic fall, which included three online auctions of exceptional International artworks (American, Continental and Russian) in October alone!

At the same time, we were also busy assembling a very special live auction to wrap up a successful year. Our December 10, 2014 International Art auction features a select collection of the highest quality, most compelling artworks that will appeal to all collector tastes.

A selection of paintings from the AGO is an exciting highlight of the auction. One of Canada’s most prestigious cultural institutions, the AGO was one of the first institutions to hold exhibitions of important European paintings in Canada in the early 20th Century. The deaccessioned paintings included in our auction by Blommers, Loudan and others have exceptional provenance. The history of these works is immediately visible, with old labels still affixed to their period frames. It was truly a pleasure to handle these paintings and we look forward to working further with the AGO.

For more information about the AGO’s Deaccessioning Policy visit:

Behind the Scenes

All of the paintings, sculpture and drawings offered in the international art auctions are diligently researched. This is one of the most challenging yet rewarding aspects of our work. For instance, the arrival of “Michaelangelo in His Studio, Visited by Pope Julius II,” (lot 478) presented an opportunity to delve into the history of this lost work. The original oil by French artist Alexandre Cabanel (1823-1889) has been untraced since its exhibition at the Salon of 1857, known only by a hand-coloured engraving executed by Pierre Castan. Was this the original painting or was it a copy? We searched the records for this work with the generous assistance from staff of the National Gallery of Canada, the Frick Reference Library in New York as well as the International Art and Antique Loss Register. As it turns out, all evidence concludes that it is in fact a copy executed in the late 19th century. Its decorative appeal is nonetheless undeniable; encompassed in its elaborate gilt frame it is impressive.

Works often come to us from unexpected avenues, as was the case with the beautiful portrait “Brunetta” (lot 504), by British artist John Atkinson Grimshaw (1836-1893). Discovered by a colleague in the basement of an estate, it was covered in cobwebs when it arrived on our premises. A neglected gem, this Pre-Raphaelite beauty will restore beautifully to its original splendour.

Yet more rare and interesting works are found in the sale including Otto Pankok’s large charcoal “Still Life with Flowers”, (lot 496) whose provenance can be traced from Holocaust era Germany. The original owner, Mr. Ludwig Leitz of the Leitz Camera firm, established a covert means of allowing Jews to leave Germany in the guise of employees of the Leitz Camera firm during the Second World War. Mr. Leitz gifted the drawing to his cousin who immigrated to Midland, Ontario, in the 1950s. (For further information see “The Greatest Invention of the Leitz family: the Leica Freedom Train” published by the American Photographic Historical Society, 2002).

Be sure to register early for online, telephone and absentee bidding. For those who will be attending the auction in Toronto, we look forward to seeing you at the auction on December 10th!

Next up: we are currently accepting consignments for our Fine Print and Photography Auction, Tuesday, March 10, 2015, featuring many top Canadian and International artists, including Warhol, Miro, Colville, Chagall and others.

We thank all of those who participated in our auctions and look forward to offering additional specialized sales in the New Year, including Old Masters and related works scheduled for March 2015.
Posted: 12/1/2014 12:00:00 AM
By: Susan Robertson

Invitation to Consign to our Fall International Art Auctions

It’s a Full Fall of International Art

Fall 2014 – busier than ever! With preparations well underway for our December 10th auction of International Art, we thought we’d tease you with a few of the favourites recently consigned to us: “Blowing Hard” a fine oil painting by renowned British Maritime artist Montague Dawson (1890-1973); a brilliant colour pastel by Barbizon artist Leon Augustin L’Hermitte (1844-1925); an exquisite romantic genre by French/Italian artist Frederic Soulacroix (1858-1933); and yet another “untraced” painting commissioned by Adolphe Goupil in Paris in the early 1850’s and exhibited in the Salon of 1857 by French artist Alexander Cabanel (1823-1889) – our appetite for discovery is thoroughly whetted. Finally, we are most excited about another discovery - with more research underway – a collection of five extremely rare, marvelously detailed, vibrantly coloured watercolour portraits of North American Indians, studies from life, that were executed for the lithograph plates illustrated in Thomas L. McKenney & John Hall’s master work: “The History of the Indian Tribes of North America”. We promise to keep you posted on all our research and other new arrivals on our website as more paintings, drawings and sculpture continue to be consigned.
AU REVOIR (detail)

October is the month to be online!
Aiming to offer all the art we know you love, we’ve also pulled together an amazing October of online auctions, including: 19th Century Continental Paintings, Russian Paintings and Decorative Arts, and American and 20th Century Paintings.
One of a collection of five watercolour portraits of North American Indians, relating to Thomas L. McKenney & John Hall’s master work: “The History of the Indian Tribes of North America” (detail)

The 19th Century Continental Paintings online auction showcases many of the most popular artists from Continental Europe whom have been in high demand in Waddington’s catalogue sales. Wonderful genre paintings by collector favourites such as Bernard de Hoog, Arthur Heyer, Johan Scherrewitz, Leurs, Heyligers, and Huber and many more charming, elaborately framed works.

The Russian Art and Decorative Art online auction is presented in conjunction with our Decorative Arts department. It features a diverse collection of oils and watercolours by 19th and 20th Century Russian artists including: Irene Klestova’s “Roses”; a double sided oil by Abraham Manievich; portraits by Anatoly Zverev; and paintings by Nikolay Miliotti, Serge Chepik, Alexander Tyshler, Yuri Krasny, and Vasyl Myazin. We are also delighted to showcase a special collection of nine large oils by Latvian artist Janis Ferdinands Tidemanis. Acquired directly from the artist’s Toronto studio from his wife, nearly 25 years after his death in 1990, they represent Tidemanis’ best subjects dating from the 1930’s and 1940’s. These brilliantly coloured portraits of women and a still life have never been on the market and are expected, as in past sales, to set more records for Tidemanis.

Rounding out our October online auctions are American and 20th Century Paintings featuring a diverse collection of 19th to 21st Century paintings including notable American artists: Paul Jenkins, Andre Gisson, Leonardo Nierman, Michael Steiner, Claire Shuttleworth, Clark Greenwood Voorhees, and James Cafferty, and numerous works by 20th and 21st Century masters from all countries including Czech, Dutch, Polish, Romanian, Haitian, Israeli, and Japanese schools headed by mid 20th Century artists such as Suzanne Eisendieck, Dietz Edzard, Hugo Schieber, Francois Gall and Gerard Adolfs. The collection of captivating portraits direct from the estates of the artists’ studios, including rare works by Traian Biltiu Dancus and Jean Nitescu acquired through descent from the artists in Romania, are sure to command your attention.

Fine Prints & Photography in Early 2015
Back by popular demand, we’ll be offering our Fine Print and Photography Auction in the early months of 2015, including a most impressive roster of the top printmakers in the world. We have already amassed fine prints, entire folios by major graphic artists and photographs for the upcoming auction including by Warhol, Picasso, Miro, Chagall, Dali, Marino Marini, Henry Moore and many more.

We also look forward to offering more specialized online auctions in the new year including Old Master (for the first time) and British Paintings.

Still Time to Consign!
If you’ve been thinking about finding out who painted that old panel on your wall that needs to be identified or selling your fine European painting collection and wish to take advantage of this opportunity to consign to the fall International Art auctions, there’s still time to consign to the online sales (consignment deadline October 3). We are also pleased to accept consignments of your most important paintings and sculpture for our prestigious December 10th live auction of International Art (consignment deadline October 17).

As always, we I can hardly wait to see what gems you may have to tantalize the international art world.

IRENE KLESTOVA (1908-1989)
REUBEN TAM (1916-1991)
Posted: 9/25/2014 12:00:00 AM
By: Susan Robertson


Henri Le Sidaner’s enchanting garden view “Fenetre de Trianon Sous-Bois”, lot 67, gracing the front cover of Waddington’s Spring 2014 International Art catalogue, sets the stage for the many fine paintings offered in this season’s auction. After so long a winter season, its warm sunlight, arched window and lush greenery is all the more inviting. Acquired by Dr. Ronald Osborne of Toronto in 1975, and now part of his Estate, it is a befitting ‘window’ to our sale offering over 100 of the finest paintings, sculptures and drawings from Canadian, American and International collections spanning over 5 centuries, 4 continents and a multitude of genres.

“Fertility”, lot 95, a rare canvas by Maqbool Fida Husain, whose works have led the booming South Asian art market, confronts you with its bold and powerful presence on our title page. This hitherto unseen canvas has belonged to a private collection in Montreal for over 30 years and encapsulates the artist’s unique approach to form and colour.

The American session is led by two large canvases by Russian-American artist Abraham Manievich, acquired by Dr. Joseph Stern of Montreal directly from the artist whom he befriended in Canada, prior to the 1950s. The double-sided “Still Life of Flowers in a Copper Vase”, lot 10, featured on the inside front cover, and the vividly coloured, “In a Summer Garden”, lot 9, are coveted examples of the artist’s dynamic Fauvist painting style.

Once again, we are pleased to offer you three oils by popular British artist Edward Seago, from Toronto Estates where they have been enjoyed some 50 years. Sir John Lavery’s elegant “Lady in Green” (Mrs. Cara H.), lot 52, held in the hands of Toronto families for over 100 years, was first exhibited in Toronto in 1909 at the newly formed Art Gallery of Ontario, then called the Art Museum of Toronto. The sale concludes with a Carlos Cruz-Diez kinetic art masterpiece “Physichromie No. 520”, lot 123, acquired by the present owners from the Pollock Gallery in the 1970s.

Our Spring 2014 auction offers a selection of visually superb works of art for every collector taste, whether you are a lover of Old Masters, Modern, traditional or contemporary art. We look forward to welcoming you at our preview where all the paintings in their old world frames are sure to impress and entice you.

View the Auction Online Catalogue

Download the Catalogue (PDF)

— Susan Robertson
Senior Specialist, International Art

Posted: 6/11/2014 12:00:00 AM
By: Bill Kime

Maqbool Fida Husain (Indian, 1915- 2011): Style and Influences

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Maqbool Fida Husain, also known as MF Husain, was one of India’s most celebrated artists of the 20th century. Husain was a founding member of the Progressive Artists Group, the self-declared "moderns" of Indian art who rose to International fame in the 1940s.

Husain held his first solo exhibition in 1947, the same year India achieved Independence. In 1955, fifteen of his works were chosen for exhibition in the Venice Biennale, garnering him international recognition. Between 1948-1955 Husain travelled extensively. His painting style evolved as he absorbed a range of artistic influences, from the formal characteristics of ancient Indian miniature paintings to the avant-garde styles of modernists such as Klee, Matisse and Modigliani.

One of the features that make Husain's work so unique is his ability to intuitively incorporate traditional Indian narratives and motifs with modern techniques and sensibilities. The painting Fertility, to be offered in the June 18th auction of International Art, is a particularly fine example of the formal elements of ancient Indian art and modern art blending as one. Here, Husain depicts two figures positioned adjacent to one another against a background of stark white, brown and chartreuse. On the right, a seated male figure faces the viewer, his torso grey with faint accents of deep red and bright yellow. Though his facial features are abstract, his silhouette is defined with broad, dark strokes. The female figure next to him, by contrast, is a beaming, abstract vision of vibrant orange, red, blue and green. The yellow-orange orb glowing within the woman’s torso perhaps best signifies the title “Fertility”. The influence of modern art is evident in Husain’s use of abstract form and fervent application of brisk, intuitive strokes of paint. Influences from traditional Indian art such as Mathura sculpture, Jain and Basohli school miniature paintings, can also be identified in the artist’s approach to line, form and colour.

Mathura Sculpture

The female figure, one of the most recognizable motifs in Husain's paintings, is invariably inspired by iconic representations of deities and holy figures or "auspicious images", such as beautiful women, musicians, and loving couples. First appearing in the painting "Man", 1950, the majestic figures of Mathura sculpture inspired Husain’s approach to the female form. Mathura art was a style of Buddhist visual art that flourished in India from the 2nd century BC to the 12th century AD. The energy and dynamism of Mathura sculpture is echoed in Husain's commanding and sculpturesque figures.

Basohli School

The Basohli School miniatures, produced in the Pubjab Hills in the late 17th and early 18th centuries are known for their bold and imaginative artistic style featuring vivid colour and simple design. The correlation between Husain’s colour palette and the Basohli School’s palette of hot orange, yellow and brown are particularly evident.

Jain School

In addition to the Basohli School, the influence of Jain miniature painting is also apparent in Husain’s work. Jain Iconography generally depicts a sage in sitting or standing meditative postures in a style characterized by strong, black lines. Similar bold silhouettes are also a staple of Husain's work, as are smooth, calligraphic strokes that bring expression of energy and movement to his subjects

Modern art: Expressionism and symbolism

By 1955, Husain had ended his formative period and had absorbed the main influences that shaped his style. The artistic innovations of modern art became an increasingly important component of his practice, which he adopted and re-interpreted as a language of his own. Perhaps the greatest influences from the Western school during this period were the Expressionists including Paul Klee and Wassily Kandinsky, who believed in art as an expression of the artist’s inner life, often taking the form of a “symbolic language” in their work. From the 1950s on, Husain increasingly began to incorporate metamorphic human figures and symbols such as lamps, spiders, boats, snakes, houses and suns in his work. Dark and intuitive, Husain's symbols enrich archetypal themes of life, love and death with traces of the collective unconscious.

Paul Klee (Swiss 1879-1940); Feier und Untergang; 1920; Zu Beginn eines Festes; 1940; Wassily Kandinsky (Russian, 1866-1944); Loses im Rot; 1925; Beruhrung; 1924

While Husain was able to incorporate elements of a wide range of artistic traditions within his own practice, it was his ability to reinterpret them into a new and unique artistic style that has made him one of India’s most innovative artists and a leader of his time. For more on Husain’s interpretation of traditional Indian artistic styles please watch the video on how the iconography of Mithuna sculpture is interpreted in "Fertility".

The Victoria and Albert Museum in London is currently showing the exhibition: M.F. Husain: Master of Modern Indian Painting from 28 May – 7 July 2014.

Source: “Husain” Richard Barthomew and Shiv S. Kapur; Harry Abrams Inc., New York 1971
Posted: 6/6/2014 12:00:00 AM
By: Susan Robertson

International Art Auction June 18th

We are very excited to welcome another Spring Auction Season to Waddington’s! Our June 18th auction promises to be one of our best. As always, the auction will include important drawings, paintings and sculpture, focusing on the very best in International Art. We have already received a number of very fine works for our Spring auction. We invite you to preview them in our online gallery.

One of the highlights of our auction is a hitherto unseen canvas by renowned Indian artist Maqbool Fida Husain (1915-2011), part of a private collection in Montreal for over 30 years. Fertility exemplifies the artist’s abstract expressionist style, featuring vibrant colouring with boldly outlined, abstracted figures. A pioneer of his time, Husain was celebrated for his ability to blend traditional Indian motifs with the technique of modern Western painting.

We are also excited to offer two paintings by Russian-American artist Abraham Manievich (1883-1942). The double-sided still life and colourful summer landscape are coveted examples of the artist’s dynamic painting style.

In addition, John Lavery’s (1856-1941) elegant Lady in Green has been in the hands of Toronto families for over 100 years and was exhibited at the Art Museum of Toronto (now the Art Gallery of Ontario) in November 1909. Lavery was known for his distinguished portraits and has been praised as amongst the most competent painters of the Glasgow School.

As always, our auctions represent artists from many periods and regions including from Old Masters from the School of Bassano to modern works by Russian artist Aleksandr Tyshler (1898-1980) and French artist (Jean-Pierre Vasarely) Yvaral (1934-2002). Our auction will feature 19th Century favourites such as Edward Seago, Antoine Bouvard, Alfred de Breanski Jr. and Sr., and many others including a charming Amsterdam street scene by Dutch artist Cornelis Springer. We also have number of classic American landscapes by Thomas Worthington Whittredge, Irving Ramsey Wiles, W.E. Baum, E.A. Gruppe and William Edward Norton.

We would like to take this opportunity to thank the consignors and buyers who made our Fine Print and Photography auction a great success. The sale marked the re-launching of Waddington’s Print and Photography auctions. We are proud to be the only Canadian auction house to offer world-class prints and photography.

We also wish to thank the participants of our online auction of Continental Paintings. We look forward to offering a number of specialized online sales throughout the year and are currently accepting consignments for future auctions including British, Russian, Modern and Contemporary art.

Looking forward to seeing you at our previews on June 14 - 16 and at the auction on June 18.

Susan Robertson
International Art Specialist
Posted: 4/25/2014 12:00:00 AM
By: Susan Robertson

Specialists' Preview - Spring 2014 Auction Highlights
April 3 – 8, 2014

Sometimes what’s old is truly new again. Traditionally, Waddington’s held our much anticipated Fine Art Auctions bi-annually, a dedicated week of previewing and selling the best we had to offer for that season from all our departments. Previewed as an enormous mix of wonderful and eclectic, rare and beautiful, classically traditional and wildly eccentric, there was something for everyone and for every taste. As all our departments grew, it became unwieldy to organize all our auctions and previews into the same time period. Spreading the auctions throughout the spring was more manageable, and the departments began to conduct business more autonomously, focused on their core proven markets and clients.

Fast forward ten years and we see an evolution in market tastes and buying trends. Today, fewer people collect as a hobby in pursuit of objects from a narrow, focused area of interest. Nowadays people are more likely to collect to decorate their home or business – and they’re much more willing to mix cultures, textures and periods to create an individualized environment. In reflection, our traditional preview settings more suited to the current more diversified market. They made it easy to imagine how things would look in situ – how an English highland painting might look beside the Sorel Etrog sculpture already in your home, how the clean and powerful lines of an Inuit sculpture could complement your Group of Seven canvas. How a delicate Chinese vase is flattered by art deco bronze figures and English silver candle sticks. It was almost like looking at the pages of a décor magazine.

So we’re borrowing from the past. We’re bringing back the multi-department preview to demonstrate how great but different art can blend together. Our specialists (some of the best in the world in their various categories of expertise) have handpicked their favourite items from their spring season auctions. The most interesting, most eclectic, and in some cases the most valuable, to be previewed together in our gallery in one glorious display. And to further enhance the experience, we’ve also invited Farrow & Ball to be part of the display, weaving in the colour palette and wallpaper highlights from their spring season.

We look forward to sharing some of our favourite things with you.

Please be sure to visit April 3 – 8.

Posted: 3/31/2014 12:00:00 AM
By: Duncan McLean

Special guest lecture by print connoisseur Glen Warner

As we quickly approach our Fine Print and Photography Auction on March 11th, we are pleased to announce that Waddington’s will host a special guest lecture by print connoisseur Glen Warner on Sunday March 9th at 1pm.
Glen Warner is the author of the best selling book Building a Print Collection: A Guide to Buying Original Prints and Photographs. He is also the author of numerous articles on collecting contemporary original prints and fine art photography that have been published in magazines and newspapers such as Canadian Art, Maclean's, Toronto Life, Art Business News and The Financial Post. Glen lives in Toronto and is an avid collector of contemporary prints and vintage photographs.

Whether you're a seasoned collector or first time buyer, this lecture will provide great insight into the printmaking process and offer valuable collecting tips. Referencing lots in our sale, Mr. Warner will answer questions like: what is an “original print” and why is it a desirable collectible? What are the types of prints and how are they made? How to spot editions made “after” another artist’s work and how to research a print’s history and authenticity.

We look forward to seeing you at our preview on Saturday March 8th and Sunday March 9th from 11-5 pm at 275 King Street East, Toronto. You won't want to miss Mr. Warner’s fascinating discussion along with a fantastic viewing of fine prints and photography.

This season’s Fine Print and Photography auction will feature a wide range of prints showcasing various art movements and periods from the historic to the contemporary. Watch our Vine video to see the great contemporary prints by artists such as Yoshitomo Nara, Basquiat and Banksy offered in the sale!

Posted: 2/28/2014 12:00:00 AM
By: Susan Robertson

Waddington's Spring 2014 Fine Prints and Photography Auction

It is our great pleasure to present Waddington’s 2014 Fine Print and Photography Auction. Our annual Print and Photography Auctions provide a unique opportunity for both emerging and seasoned collectors to acquire original works by major artists at accessible prices. For this auction we have assembled a delightful selection of prints and photographs by important artists from over 20 countries, including Canada, the United States and across Europe.

Highlights of this auction include:

Pablo Picasso’s “Nature Morte au Citron et un Pichet Rouge”, c. 1955 (lot 120); Henri de Toulouse-Lautrec’s rare colour lithograph, “Aux Ambassadeurs- Chanteuse au Cafe-Concert” 1894 (lot 84); and Georges Rouault’s choice colour aquatint: “Automne”, c. 1938, (lot 153).

For the Beatlemania collector, a complete portfolio of John Lennon’s iconic “Bag One” (lot 39).

Pop artist’s Andy Warhol’s portrait of Canadian Prima Ballerina Karen Kain (lot 5).

Works by international giants Marc Chagall, Joan Miro, Josef Albers, Alberto Giacometti, Henry Moore and David Hockney.

A rare and complete 1965 portfolio of five prints by Jack Bush (lot 124).

A complete portfolio of the Graphics of the Toronto 20 (lot 142).

Graphic works by Canadian aboriginal artists Bill Reid, Kenojuak Ashevak and Germaine Arnaktauyok.

Vintage photographs of Inuit life by Robert Flaherty and Richard Harrington.

Photographs by acclaimed International artists such as Jock Sturges, William Wegman, Arthur Leipzig and Julius Shulman.

By intention, the auction has no particular order – the countries, periods and media are combined proof that bold, colourful prints can co-exist in any collection and offer a rich diversity to one’s art collection.

Download Catalogue:
Fine Prints and Photography Auction ( 4.2 Mb )

View the Auction Gallery

Posted: 2/11/2014 12:00:00 AM
By: Susan Robertson

Lennon’s Bag One
Fine Prints and Photography Auction

John Lennon’s legacy includes many things, from songwriter and musician to political activist, philosopher and artist. An important aspect of his life, Lennon’s artistic endeavours began even before the Beatles achieved worldwide fame; from 1957-1960 he attended the prestigious Liverpool Art Institute. In the mid-1960s at the height of Beatlemania, Lennon published several books of poems and illustrations.

Lennon’s Bag One was a singular undertaking coinciding with the start of his solo career. Largely documenting his personal relationship with Yoko Ono, the Bag One legacy is also tied to their activities as peace activists.

Only 300 complete Bag One sets were produced (plus artist's proofs), each with 13 lithographs rendered Lennon's signature playful, simplistic style. Lennon worked on the project for a period of months from 1968-1969 capturing significant events such as his marriage to Yoko Ono, their honeymoon and Bed-Ins for peace. Often erotic in nature, the lithographs drew controversy when police in various countries confiscated them on the grounds of obscenity. Fortunately, none of the charges held in court.

Bag One was named for John and Yoko’s company Bag Productions. “Bagism” was a term created by John Lennon and Yoko Ono as part of their extensive peace campaigns in the late 1960s. “Bagism” meant literally wearing a bag over one’s entire body, with the aim to satirize prejudice and stereotyping.

As the story goes, Lennon signed all 3000 plus lithographs while on a peace promotion trip with Yoko Ono to Canada in late 1969. While in Canada, they stayed with Canadian musician Ronnie Hawkins at his home outside of Toronto. Later that week, Lennon and Yoko Ono traveled to Ottawa to meet with Prime Minister Pierre Trudeau to discuss their peace campaign.

The series was completed with a custom white patent leather carrying case designed by French clothes designer Ted Lapidus and hand-stitched by craftsmen in Italy. As a final touch to the creation, the title Bag One and John Lennon’s signature were imprinted in black letters onto the white leather. The Bag One lithographs were first exhibited in January, 1970 at the London Arts Gallery with Lennon and Yoko Ono attending the opening.

A highly collectible series, the complete Bag One set has been sold at auction for amounts as high as $68,368 USD (including Buyer’s Premium).

More of today’s most collectible prints and photographs will be presented at Waddington’s Fine Print and Photography Auction including prints by Francis Bacon, Brigitte Riley, Josef Albers, Pablo Picasso, Alberto Giacometti, Georges Braque, Andy Warhol and many more.

Posted: 1/21/2014 12:00:00 AM
By: Susan Robertson

International Art Auction Results

Thank you to everyone who participated in this season’s International Art auction at Waddington’s, to those who inquired about the sale, attended the previews and the auction, as well as to our many International bidders who participated over the phone and via

We were pleased to once again offer a fine selection of important paintings, drawings and sculpture ranging from 17th Century Dutch portraits to 20th British modernist landscapes.

We are thrilled that this season’s magnificent discovery, “Rowing on the Seine” by Ferdinand Heilbuth, a hidden gem of classic French Impressionism, realized $38,400, above its estimate of $15,000-25,000. We hope you were able to read the story of the Heilbuth’s journey to Waddington’s in our previous blog. The painting is now beginning a new journey back to Paris.

Major highlights of the sale also include lot 21, Eugene Verboeckhoven’s “The Twins”, that realized $38,400 as well as lot 149, “From Smyrna to Boudja” by Anton Schranz, that realized $20,400. Our cover lot, “Beach Brittany” by Anne Estelle Rice also sold for well above its estimate at $14,000.

We look forward to presenting the Print and Photography Auction in the New Year. Taking place on 11 March 2014, the auction will include John Lennon’s complete Bag One (the set of 13 lithographs) as well as prints by Warhol, Chagall, Picasso, Hockney, Giacometti, Miro, Moore and Bacon, among many others. We are now accepting consignments; please contact the International Art Department if you are interested in participating.
Posted: 12/17/2013 12:00:00 AM
By: Susan Robertson

Auction Highlight: Ferdinand Heilbuth’s hitherto unidentified masterwork: “Rowing on the Seine”.

A family based in Waterloo, Ontario, who had enjoyed the painting for many years but had never known the identity of the artist, brought “Rowing on the Seine” to Waddington’s. It had been in their family several generations, passed down by descent from the private collection of Helen Cox of Detroit, Michigan, and then to relatives in Toronto.

Waddington’s International Art specialist Susan Robertson admired the finely painted 19th Century School upon first sight, attributing the identity of the artist to be American given its provenance. The precise brushwork brought to mind William Merritt Chase and the composition akin to Thomas Eakins, particularly the alignment of the rowboat that echoes his famed rowing sculls, as in the painting “The Champion Single Sculls” (1781). Other characteristics, such as the luminosity of the colouring, the architectural style of the building in the background and the Edwardian gallery label on the verso, all gave indications that this was an American School artist.

The pleasant subject matter and overall quality of the painting made it an appealing acquisition; however, within the auction world even the value of a well-painted unidentified work is limited to its decorative potential. This painting, fortunately, also featured a monogram “HF” (large H, small F inside), on the stern of the boat. Never one to neglect a good mystery, Susan began her research based on this clue.

Susan’s research on the monogram brought a discovery. This painting was not American, but French. The monogram matched the signature of Ferdinand Heilbuth (1826-1889), a German born, French naturalized citizen. Heilbuth studied with Paul Delaroche (1797-1856) and Marc-Charles-Gabriel Gleyre (1806-1874) during the 1940s in Paris. In his early career, Heilbuth painted genre scenes and Italian cardinals, as he traveled to Italy to paint throughout the 1850s and 60s.

Heilbuth submitted regularly to the Paris Salon and was highly recognized artist in his lifetime, collected by patrons in the UK, France and North America. He worked within illustrious groups of French painters, participating in 1865 in an exclusive exhibition of the cercle de l’union des arts on the rue Choiseul with Delacroix, Decamps, Diaz, Troyon, Messionier, Ribot, Belly, Daubigny, Millet and Gerome.

In the 1870s Heilbuth shifted away from Italian themes and began to paint more modern Parisian subjects. “Rowing on the Seine” epitomizes the Impressionist preoccupation of depicting scenes of upper middle class leisure. Parisians relaxing along the banks of the Seine were typical of French artists during the 1870s, when the increasing convenience of rail travel boosted the rise of new leisure culture perhaps depicted most famously by Eduoard Manet, whose influence on Heilbuth’s career should not be underestimated. Heilbuth and Manet maintained a friendship from the early 1870s. It is during this time that Heilbuth began to paint such modern themes, quite possibly at the urging of Manet. Such pleasing scenes of leisure and the good life were eagerly collected, both in France and abroad. Heilbuth was an important painter of his time and helped to define 19th Century French painting along with his contemporaries Van Gogh (1853-1890), Cezanne (1839-1906) and Manet (1832-1883).

Ferdinand Heilbuth’s work has been exhibited at the Boston Antheneum and at the Grosvenor Gallery in London on a total of seventeen occasions. His works are found in the collections of many institutions including the Musee d’Orsay, Musee du Louvre, Musee des Beaux-art de Bordeaux, the Wallace Collection, London, and the Hermitage in Saint Petersburg. The Hermitage has in their collection a sketch of “Rowing on the Seine”; the small panel version is reproduced on their

Posted: 12/6/2013 12:00:00 AM
By: Susan Robertson

Waddington's Fall 2013 International Art Auction

It is our pleasure to present Waddington’s Fall 2013 auction of International Art. Featuring over 170 works by important artists from 12 countries, we are delighted to showcase a most interesting range of paintings, drawings and sculpture, dating from the 16th to 21st Century.

This season’s highlights include the vibrant cover piece by American artist Anne Estelle Rice, “Beach Brittany”, and a hitherto unidentified masterwork “Rowing on the Seine” by 19th Century French artist Ferdinand Heilbuth. Our selection also includes unique modern works by Indian artist Maqbool Fida Husain, Japanese artist Setsuko Migishi, Pakistani artist Abdur Rahman Chughtai and a striking abstract by the celebrated Spanish artist Antoni Clavé, “Nature Morte” (1949).

A hallmark of Waddington’s live auction season, our International sale will once again feature previously unseen works from private collectors and estates from across Canada, the United States, the United Kingdom, Sweden and Pakistan.

We are thankful to our many colleagues who have referred our services as leaders in International Art in Canada: our Transitions team at Waddington’s, our eastern branch at Waddington’s Cobourg and our in-house appraisal team, who have uncovered for us many of these treasures. We also extend our gratitude to all of those who have entrusted Waddington’s to represent your valuable artworks.

We hope that you will be able to attend the previews and auction or visit us online where you will be able to view and enjoy this season’s fine selection of offerings.

View the Auction Catalogue

— Susan Robertson
Senior Specialist,
International Art

Posted: 11/19/2013 12:00:00 AM
By: Susan Robertson

Cuban Art From the Estate of John Casuccio

Cuban Art From the Estate of John Casuccio

I was deeply saddened in 2009 when the International Art world lost its friend, John Casuccio after a long and courageous battle with cancer. John was a familiar face in the Toronto Art and Antique world, and his passion for all mediums was contagious. John worked particularly hard honing in on a niche that the city of Toronto was missing: Cuban art! Traveling to and from Cuba throughout the years, he built an impressive collection of works that exemplified the diverse, bold and politically charged art movement of 20th Century Cuba. I feel so fortunate to have been given the opportunity by John’s Estate to handle many of these prized works from his collection.

This is one example of the works that will be featured in our April 22nd-25th Online Cuban Art Auction

Humberto (El Negro) Hernandez (1958- ), Cuban

HOUSE IN STORM Oil on canvas signed and dated 08 lower right. Unframed.

19" x 49.25" — 48.3 x 125.1 cm.

Est. $700/900

Born and raised in Puerta Esperanza, a coastal village North of Vinales, Hernandez often calls to the dynamic landscape of his childhood to inspire his creations. I just love this painting! Can’t you feel the energy coming off the sea from that storm?

This online auction will feature approximately 80 lots from the Estate, with more lots being featured in our Spring International Art Auction.
Posted: 4/9/2013 9:20:00 AM
By: Susan Robertson

International Art - October 2012

Welcome the new website for Waddington’s International Art Department!

Exciting things are happening in our department, and we cannot wait to show you the sale we have spent the last six months collecting consignments for. I have been traveling all over the GTA, cottage country, Ottawa and Montreal looking for prints, paintings and sculptures to feature in our December 11th International Art Auction.

We will be offering over 250 lots of important works from countries such as England, Cuba, France, Germany, Hungary, Sweden, Russia and the United States of America. Our catalogue should be available in early November, and you can find it right here. In the meantime, please have a look around and enjoy our new site!
Posted: 10/26/2012 12:00:00 AM
By: Susan Robertson

Is it or Isn't it a Salmon

I just love my job! Nothing makes my day better than a great painting or figuring out a signature that has stumped generations. I love to research so I feel so fulfilled when I solve the mystery. This little painting has put me to the test. I was so excited for the consignor upon first glance. It appeared to be a signed marine scene by the great Scottish/American sea painter, Robert Salmon (1775-1844). I was even more thrilled by the old pen and ink title on the back - Wreck off the Coast of Nova Scotia. The problem is the indistinct date (1856?) is too late for the recorded dates of the artist. In digging deeper, I found that a work of art had surfaced that was dated later than his assumed death date. To top it off, the little painting has an old catalogue entry and its illustration taped to the back from an old sale, possibly Sothbey’s based on the font type.

In my hopes that it was a Robert Salmon, in very faint pencil (which I could have missed had I not looked again in raking light!) it reads either: “Painted by” or “Purchased by John Halpen in 1852”. What? Confusing?

I included this painting in the December 13th International Art auction based on its fine quality so others could decide for themselves, is it or isn’t it a work by the great marine painter, Robert Salmon?
Posted: 10/22/2012 12:00:00 AM
By: Jamie Long


British & Continental Art Online Auction
September 15 - 20, 2018

On View:
Sunday, September 16
from 12:00 pm to 4:00 pm
Monday, September 17
from 1:00 pm to 7:00 pm

Prints & Photography Online Auction
September 29 - October 4, 2018

On View:
Sunday, September 30
from 12:00 pm to 4:00 pm
Monday, October 1
from 1:00 pm to 7:00 pm